Miley Cyrus Net Worth 2026: The $160M Pop Fortune Story

Miley Cyrus‘s net worth is estimated at $160 million as of November 2026. The figure comes from Celebrity Net Worth, the outlet most of the music press cites for her, and it has held steady across 2025 and 2026 reporting. Behind it sits a career that started with a $15,000-per-episode Disney salary, passed through a $62 million-grossing world tour she says paid her nothing, and now includes $13 million-per-season television paydays, a Grammy-winning comeback single, and a Tennessee ranch flip that cleared $8.7 million before costs.

Early Life and Background

Miley Cyrus was born Destiny Hope Cyrus on November 23, 1992, in Franklin, Tennessee. Her father is country singer Billy Ray Cyrus, whose 1992 hit “Achy Breaky Heart” made him a household name the same year his daughter was born. Her mother, Tish Cyrus, later became a producer and manager who would steer much of her daughter’s career. Her godmother is Dolly Parton, a connection that shaped both her musical taste and her public image for the next two decades.

She grew up on a farm outside Nashville with five siblings — Brandi, Trace, Braison and Noah Cyrus, plus half-brother Christopher Cody — in a house where music was the family trade rather than a hobby. Her birth name carried a nickname from the start: her parents called her “Smiley” because she smiled so often as a baby, and the nickname shortened to Miley. She legally changed her name to Miley Ray Cyrus in 2008, keeping her father’s middle name as a tribute.

The family moved to Toronto in 2001 when Billy Ray took a role in the television series Doc, and Miley spent her childhood years shuttling between sets. She watched her father work, took acting classes, and started auditioning while still in primary school. At nine, she landed a small part as young Ruthie in Tim Burton’s Big Fish (2003), her screen debut. The part paid little and lasted minutes on screen, but it put her in front of a major director before she turned ten.

Money was comfortable but not lavish during those years. Billy Ray’s peak earning years were behind him by the early 2000s, and the family lived on a working farm rather than in a Los Angeles mansion. That matters for understanding the fortune that followed: Cyrus did not inherit wealth. She built it from a Disney contract that, by the standards of the franchise it created, paid her very little.

Education

Cyrus attended Heritage Elementary School in Franklin, Tennessee, before the family’s moves and her acting schedule made regular schooling impractical. Once Hannah Montana began production in Los Angeles, she studied with on-set tutors under California’s child-actor education rules, fitting lessons between rehearsals, costume fittings and recording sessions. She has spoken in interviews about missing the ordinary rhythms of school — the friendships, the routines — and about how the set became her classroom in every sense.

She never attended college. By the time her peers were applying to universities, she was headlining arena tours and recording her third album. The education that shaped her earning power came from the work itself: reading contracts, watching how Disney merchandised her image, and learning, sometimes painfully, how little of a franchise’s revenue reaches its star. That lesson shows up in the numbers later in this article — in the gap between what Hannah Montana earned and what she was paid, and in her later decision to self-fund the Bangerz Tour rather than let a sponsor shape it.

Career Journey

Cyrus auditioned for Hannah Montana at eleven and won the lead at twelve, beating out hundreds of other girls for a role Disney had built around a simple hook: a normal schoolgirl by day, a pop star by night. The show premiered on March 24, 2006, and became the Disney Channel’s defining hit of the decade. Over four seasons and 98 episodes, it ran until 2011, and it turned its teenage lead into a brand that sold concert tickets, albums, clothing, dolls, video games and school supplies through Disney and Walmart.

Music ran alongside the show from the start. Hannah Montana soundtracks topped the charts, and her first album under her own name, Meet Miley Cyrus (2007), arrived as a double album with the show’s second soundtrack and debuted at number one on the Billboard 200. Breakout followed in 2008 and also hit number one. The singles stacked up fast: “See You Again” in 2007, “7 Things” in 2008, and “Party in the U.S.A.” in 2009, which peaked at number two on the Billboard Hot 100 and became one of the best-selling digital singles of its era.

Film work came in parallel. She voiced Penny in Disney’s animated Bolt (2008), which grossed more than $300 million worldwide, and starred in Hannah Montana: The Movie (2009), which took $155 million worldwide on a $30 million budget and added $61 million in home-video revenue, according to Parade’s reporting. The Last Song (2010), the Nicholas Sparks adaptation where she met Liam Hemsworth, grossed $89 million worldwide. Smaller films — LOL and So Undercover, both 2012 — did far less, and the box-office record shows a clear pattern: her biggest film paydays were tied to the Disney machine, not to standalone star vehicles.

The break from Disney was deliberate and loud. Can’t Be Tamed (2010) pushed against the teen image; Bangerz (2013) demolished it. The album debuted at number one on the Billboard 200, and “Wrecking Ball” gave her a first Billboard Hot 100 number one. Her 2013 MTV Video Music Awards performance with Robin Thicke became one of the most talked-about moments of the decade — and, whatever anyone thought of it, it ended any chance of her being filed away as a former child star. She hosted the VMAs herself in 2015, a booking that confirmed the industry now saw her as a live-event draw in her own right.

What followed was a decade of reinvention at a pace few pop careers sustain. Miley Cyrus & Her Dead Petz (2015), recorded with the Flaming Lips, was released free online with no label promotion — a commercial non-event and a creative statement. Younger Now (2017) leaned back toward country, with “Malibu” as its gentle lead single. Plastic Hearts (2020) went full rock, with guest spots from Billy Idol and Joan Jett and a Blondie cover that became a live staple. Endless Summer Vacation (2023) delivered “Flowers,” the biggest single of her career. Something Beautiful (2025), her ninth studio album, arrived as a visual album with a companion film inspired in part by Pink Floyd’s The Wall, premiered at the Tribeca Festival on June 6, 2025, and streamed on Disney+ and Hulu that July. Her tenth album, Bass Persuades, followed on September 18, 2026, through Atlantic Records.

Television kept paying through all of it. She coached two seasons of NBC’s The Voice (seasons 11 and 13), served as a key adviser in season 10, and hosted the network’s New Year’s Eve specials with Pete Davidson and Dolly Parton in 2021 and 2022. In 2019 she played pop star Ashley O in the Black Mirror episode “Rachel, Jack and Ashley Too,” a role the show’s creators shaped around her own experience of manufactured pop stardom. She has hosted Saturday Night Live several times, and her 2023 TikTok series “Used to Be Young” — candid stories about her career, posted in short clips — drew millions of views and reset the public conversation about her Disney years on her own terms.

Rise to Fame

The speed of the rise is hard to overstate. In March 2006, Cyrus was a twelve-year-old with one small film credit. By the end of 2007, she was headlining the Best of Both Worlds Tour, a 69-date arena run that grossed more than $54 million, according to Billboard figures cited by Parade. Ticket demand was so intense that the tour became a news story in itself, with resale prices drawing the attention of state attorneys general. She was fifteen.

The franchise economics around her were enormous, and that is the part of the story that still surprises people who only remember the salary figures. Disney sold Hannah Montana merchandise — dolls, wigs, clothing, bedding, video games, school supplies — at a scale that made the show a retail event as much as a television one. TheStreet has noted that the merchandising deals with Disney and Walmart generated millions on their own. The show’s star, meanwhile, was earning a per-episode fee that her co-stars reportedly exceeded. She told Elle in 2016 that she was “probably the least paid person” in the Hannah Montana cast “because I didn’t know any better.”

Fame at that scale had costs that show up in her later choices. She has spoken openly about the pressure of growing up inside a character, about the scrutiny of her body and behavior as a teenager, and about the years it took to separate Miley Stewart, Hannah Montana and Miley Cyrus in the public mind. The 2026 return to the role — the Hannah Montana 20th Anniversary Special, which premiered on Disney+ and Hulu on March 24, 2026, exactly twenty years after the series debut — was framed as a homecoming rather than a comeback. Disney reported 6.3 million views in the special’s first three days, with viewing of the Hannah Montana catalog rising nearly 1,000% during the celebration. The special, which she executive-produced alongside her mother Tish Cyrus-Purcell, Call Her Daddy host Alex Cooper and Matt Kaplan, featured an in-depth Cooper interview, recreated sets, archival footage and a new song, “Younger You.”

The second act of her fame looks different from the first. “Flowers,” released in January 2023, spent eight weeks at number one on the Billboard Hot 100, became the best-selling global single of 2023, and reached one billion Spotify streams in 112 days — the fastest any song had done it at the time, a record Spotify itself announced in May 2023. Guinness World Records confirmed the 112-day mark and noted the track also set the record for most streams in a single week. By mid-2025, “Flowers” had passed 2.5 billion Spotify streams. The song won her first two Grammy Awards in February 2024, including Record of the Year, after more than fifteen years of nominations without a win. A third Grammy followed in 2025 for “II Most Wanted,” her duet with Beyoncé.

Main Sources of Income

Cyrus earns from five streams that have shifted in weight over twenty years. Music — recording royalties, streaming, songwriting publishing and licensing — is the foundation and the most durable: a catalog that includes “Party in the U.S.A.,” “Wrecking Ball,” “We Can’t Stop,” “Midnight Sky” and “Flowers” keeps paying every month, and the “Flowers” streaming numbers alone put her catalog among the most valuable of her generation. One detail most roundups miss: she was not a credited writer on “Party in the U.S.A.,” so she earns as the performer, not the songwriter, on that hit — while she shares songwriting credit on “Flowers,” which means publishing income on top of performance royalties. The difference between those two deals is the difference between a paycheck and an asset.

Touring is the second stream, and the most uneven. Her five major tours grossed more than $200 million combined at the box office, but gross is not profit, and her own account of the Bangerz Tour — that she personally “didn’t make a dime” on it — is the honest footnote the gross figures need. Television is the third stream, and the most lucrative per hour worked: two seasons of The Voice paid a reported $26 million for a few months of filming each. Brand deals are the fourth, led by her Gucci Flora fragrance campaign. Real estate is the fifth, and the one where her timing has been sharpest: two of her last three property sales cleared multi-million-dollar gains.

What she does not have is a billion-dollar beauty or shapewear company. The peer comparison later in this article makes the point plain: Taylor Swift, Rihanna, Selena Gomez and Beyoncé all crossed into ten-figure territory on the back of businesses that sell products at scale, not songs. Cyrus’s fortune is built the older way — from the work itself, tour by tour, season by season, record by record. That is why the number has sat near $160 million for years while her peers’ numbers climbed: she has no equity event in her history, only earnings.

Salary and Earnings

The Hannah Montana salary is the most-searched money question about Cyrus, and the sources do not agree on the number. The New York Post and Business Insider put her pay at $15,000 per episode. Parade, using the same reporting, calculates a series total of $1.47 million across 98 episodes if her pay never rose — a floor, not a total, since raises over four seasons are near-certain but undocumented. A newer source complicates the picture: author Ashley Spencer’s book Disney High, covered by Us Weekly in March 2026, reports she made $8,000 per episode in the first season — less than the $18,000 reportedly paid to Jason Earles, who played her older brother. The honest range for her early seasons is therefore $8,000 to $15,000 per episode, with later seasons likely higher and the exact figures undisclosed. Either way, the show that made Disney hundreds of millions paid its star a fraction of what a network lead earns today.

Concert pay tells a different story. At the time Hannah Montana was airing, she reportedly earned $75,000 for a single concert — five times her per-episode television salary, according to Parade. Her first tour, Best of Both Worlds (2007–2008), grossed more than $54 million. The Wonder World Tour (2009) grossed more than $67 million, with $15 million of that going to her personally, per Parade’s reporting. The Gypsy Heart Tour (2011), which played South America, Australia and Asia, grossed more than $26 million. The Bangerz Tour (2014) took in more than $62 million at the box office, according to Rolling Stone figures cited by Parade — and then, in her 2023 TikTok series, Cyrus said she personally “didn’t make a dime” on it. “The Bangerz Tour was an investment in myself,” she said. “A lot of these ideas were so outlandish that no one really wanted to support me in making these pieces. And so I had big puppets, oversized beds, I came out of my own face on my tongue.” She paid for the production herself to make the show exactly as she imagined it. The Milky Milky Milk Tour (2015), a small-theatre run with the Flaming Lips, netted around $1 million.

The Voice is where television finally paid her like a star. Life & Style magazine reported a $13 million salary per season, a figure repeated by Parade, Capital FM and TheStreet, and she coached seasons 11 (2016) and 13 (2017). That is roughly $26 million for two seasons of work — about eighteen times what she earned from all 98 episodes of Hannah Montana at the $15,000 rate. It also made her the youngest coach in the show’s history at the time, and the first season paired her with Alicia Keys as the show’s first two-woman coaching panel.

Film salaries are mostly undisclosed. Hannah Montana: The Movie paid her a lead-actress fee on a $30 million budget that returned $155 million worldwide, but the number itself has never been published. Her Black Mirror payday is likewise undisclosed; the show’s creator Charlie Brooker told Grazia that she was not in it for the money — “Miley would never do anything for money. She does not need to do anything for money.” Her one-off performances command large fees that stay private: her pay for headlining the NCAA Final Four event in April 2021 was never disclosed, though the booking drew public criticism at a moment when college athletes themselves were unpaid.

Annual income in active years runs $10 million to $20 million, according to 2026 tracker estimates, rising sharply in tour and album years and falling in quiet ones. The year “Flowers” dominated — 2023 — was her biggest earning year since the Bangerz era, driven by streaming, licensing and the Grammy halo that followed. Money Nation’s 2017 study of her finances, which estimated $342 million in lifetime earnings since 2006 and a $207 million net worth at the time, remains the high-water mark among published estimates — and a useful reminder that different trackers, using different assumptions about taxes, spending and private assets, can disagree by tens of millions on the same person.

Businesses and Investments

Cyrus has never built a product empire, and that is the most interesting business fact about her. While peers turned fame into beauty lines and beverage brands, she put her money into three things: her catalog, her tours and property. The catalog is the quiet giant. Ten studio albums, a string of multi-platinum singles and a songwriting stake in her biggest hit give her an income stream that pays every month with no touring and no filming. “Flowers” alone, with more than 2.5 billion Spotify streams by 2025, generates publishing and recording royalties at a scale that most artists never reach with a single song — and because she co-wrote it, she earns on both sides of the royalty split.

Her most visible business venture is not a business at all. The Happy Hippie Foundation, which she founded in 2014, supports homeless and LGBTQ young people, and she has used her tours and merchandise to raise money for it rather than to build a brand. She has also kept her touring operation close: the decision to self-fund the Bangerz Tour’s production was, in effect, a business decision to own the show outright rather than rent creative control to a sponsor. It cost her the tour’s profit. It bought her a reputation for staging shows nobody else would pay for — and a live brand that still sells tickets a decade later.

On venture investing, the public record is thin. She has not announced startup stakes, fund participations or the kind of equity deals that fill other celebrities’ portfolios, and this article will not invent any. What the record does show is a disciplined approach to the one asset class she clearly understands: houses. Her property deals, detailed below, show a pattern of buying well, improving the homes with her mother Tish and designer Mat Sanders, and selling into strong markets. The Franklin, Tennessee ranch — bought for $5.8 million in 2017 and sold for $14.5 million in 2022 — is the single most profitable deal of her career outside music, and it was executed without a listing, off-market, at a price that made it one of the most expensive residential deals in the Nashville area that year.

She has also monetized her own story directly. The 2023 “Used to Be Young” TikTok series, the 2026 anniversary special she executive-produced, and the visual-album format of Something Beautiful all point the same way: she now owns the telling of her career as well as the performing of it. The anniversary special is the clearest example — a Disney+ and Hulu event she produced, built around her own archive, that drew 6.3 million views in three days and sent catalog viewing up nearly 1,000%. That is a business model, not a nostalgia trip.

Brand Deals and Sponsorships

Her first major high-fashion campaign was Gucci Flora Gorgeous Gardenia, the fragrance line fronted by Cyrus under creative director Alessandro Michele. Parade notes that the payday itself was never disclosed, and Cyrus has said she initially doubted she was the right face for it. “I always know when something is right for me and I don’t think I’m the right girl,” she told Interview magazine, recalling her first conversations with Michele. “I think you made a mistake. I don’t think that I represent the Flora Fantasy. I think I’m very heavy.” Michele disagreed, telling her he saw “hope and optimism” — and the campaign ran across print, film and social for multiple seasons, becoming her most durable brand association.

Earlier fashion work included a Marc Jacobs campaign in 2014, shot after the Bangerz era made her the most photographed pop star of the moment. She has also worked with Converse, appeared in campaigns for Dolce & Gabbana, and fronted jewelry and eyewear lines. The pattern across these deals is selective: she takes few endorsements, and the ones she takes tend to be fashion houses rather than fast-food chains or mobile carriers. That selectivity costs her the volume of deals other stars sign, and it protects the credibility that makes the deals she does sign worth more.

Social media is a separate income line. Influencer Marketing Hub has estimated she can charge up to six figures for a single sponsored Instagram post, a figure TheThings has repeated in its reporting on her earnings. She posts sponsored content rarely, which keeps the rate high when she does. Her 2021 NCAA Final Four performance, sponsored by Capital One and AT&T, showed the other side of that market: a single-event fee for a half-hour set, undisclosed, and large enough to draw public comment about what the sponsors paid her versus what the unpaid college players on the court received.

Houses, Cars and Other Assets

Real estate is where Cyrus has made her sharpest money outside music, and the record is unusually complete because Celebrity Net Worth, Realtor.com and Dirt have tracked nearly every deal. The ledger below uses their reported prices; gains are gross, before taxes, commissions and renovation costs.

Her first major purchase came in 2011, when she paid about $4 million for a hillside home above Studio City, California — the property she still owns, according to LoveProperty’s 2026 survey of her homes. In 2015 she paid $5 million for a five-acre equestrian ranch in Hidden Hills, California, with a 6,500-square-foot house, seven bedrooms, a gym, a study and a wine cellar. She sold it in 2018 for the same $5 million, breaking even before costs. In 2016 she paid $2.5 million for a house in Malibu and sold it in 2020 for $1.7 million to songwriter Matthew Wilder — an $800,000 loss, the one losing flip in her portfolio, and a detail most net-worth roundups leave out.

The two winning deals followed the same playbook. In 2017 she paid $5.8 million for a 33-acre estate outside Nashville, in Franklin, Tennessee: a nearly 7,000-square-foot farmhouse built in 2014, with five bedrooms, six bathrooms, a pool, a putting green, a screened porch, a rooftop deck and a separate barn. She sold it off-market in August 2022 for $14.5 million — a gross gain of $8.7 million, roughly 150%, and one of the most expensive residential deals in the Nashville area that year, according to Realtor.com and Dirt. In July 2020 she paid $4.95 million for another Hidden Hills home, had it redesigned by her mother Tish and interior designer Mat Sanders in a colorful rock-and-roll style, and sold it in 2021 for $7.2 million — a gross gain of more than $2.2 million in about a year.

One property was lost, not sold. The Malibu home she shared with Liam Hemsworth — which he had bought for $6.8 million in 2014 — burned in the 2018 Woolsey Fire. She has spoken about rebuilding on the site in the years since. She also once owned a Toluca Lake mansion in Los Angeles, later sold to Texas oil heir Nats Getty and his wife, YouTuber Gigi Gorgeous. Her most recent purchase, according to LoveProperty, is a refurbished home in a gated Malibu community, near neighbors including Lady Gaga and Avril Lavigne.

Her cars have drawn far less coverage than her houses, and this article does not invent a garage list. What is documented is a taste for distinctive vehicles rather than a fleet: she has been photographed over the years with a white Porsche Cayenne, a Mercedes-Benz and a vintage Chevrolet, among others. The vehicles are a footnote next to the property ledger — useful color, not a pillar of the fortune. The assets that matter are the catalog, the houses and the cash the tours and television seasons threw off.

Awards and Achievements

The Grammy Awards are the headline. Cyrus won her first two in February 2024, for “Flowers”: Record of the Year and Best Pop Solo Performance. A third followed in 2025, for Best Country Duo/Group Performance on “II Most Wanted” with Beyoncé. The 2024 wins ended a fifteen-year wait — she had been nominated since the late 2000s without winning — and her acceptance speech, in which she thanked her collaborators and then, memorably, her own mother, became one of the night’s most replayed moments.

The rest of the shelf is deep. She has won five Billboard Music Awards, three MTV Video Music Awards and one Brit Award, and she holds eight Guinness World Records, including the record for the fastest track by a female artist to reach one billion Spotify streams, set by “Flowers” in 112 days. “Flowers” was also the best-selling global single of 2023, earning the IFPI Global Single Award, and it holds Spotify’s record for the most-streamed song in a single week.

Two 2024–2026 honors mark the institutional side of her career. In August 2024, at 31, she became the youngest person ever named a Disney Legend, the company’s highest honor for contributors to its legacy. On May 22, 2026, she received the 2,845th star on the Hollywood Walk of Fame, at 7011 Hollywood Boulevard, in a ceremony attended by her mother Tish, her sister Brandi, her brother Braison and her fiancé Maxx Morando. The star recognized a twenty-year career that began on a Disney Channel soundstage — and the timing, days after her song “Walk of Fame” had played over the closing credits of a major film, gave the ceremony a symmetry her fans did not miss.

Chart records round out the list. “Wrecking Ball” (2013) and “Flowers” (2023) both reached number one on the Billboard Hot 100, a decade apart. “Party in the U.S.A.” has passed one billion Spotify streams, joining “Flowers” in the platform’s Billions Club. She has placed albums at number one on the Billboard 200 in three different decades of her life — as a teenager with Meet Miley Cyrus and Breakout, and as an adult with Bangerz — a run of chart-topping albums across twenty years that few of her Disney-era peers can match.

Net Worth Growth Over the Years

Year-by-year net worth figures are tracker estimates, not audited accounts, and they disagree with each other — sometimes by a lot. Money Nation’s 2017 study put her at $207 million that year; most other trackers had her closer to $90 million at the same moment. The table below uses the most commonly repeated tracker series, with the caveat that the early years are reconstructed estimates and the 2026 figure is the one figure nearly every outlet agrees on.

The odd shape of that curve — a high early number, a dip, then a slow climb — is itself the story. The $120 million figure reported when she was seventeen counted the value of the Hannah Montana franchise machine around her, including merchandising revenue she never saw. The lower figures of the 2010s reflect a more honest accounting: after taxes, management, touring costs and a divorce, the fortune was smaller than the headlines suggested. The climb since 2017 is real money: television salaries, the Franklin ranch flip, and the “Flowers” streaming windfall. The 2026 figure of $160 million is the most solid number in the series because it is the one Celebrity Net Worth, Parade and a dozen trackers print independently.

Peer comparison puts the number in context. Taylor Swift is worth about $2 billion, according to Parade and Forbes — more than twelve times Cyrus’s fortune. Rihanna and Beyoncé each sit near $1 billion on Forbes’s 2025 lists, built on Fenty Beauty and touring empires respectively. Selena Gomez is valued at $700 million by Forbes and $1.3 billion by Bloomberg, with the gap coming down to how each outlet values her 51% stake in Rare Beauty. Cyrus is the outlier in that group: the only one whose fortune comes almost entirely from performing, with no billion-dollar brand behind it. She is also the only one of the five who started earning as a child and never stopped.

Social Media Presence

Cyrus commands one of the largest social audiences of any musician, with more than 200 million followers on Instagram under the handle @mileycyrus, alongside tens of millions more across TikTok, X and YouTube. Her following is large enough to be a business asset on its own: Influencer Marketing Hub estimates a single sponsored Instagram post from her can command up to six figures, and her posts routinely reach tens of millions of people without paid promotion.

She uses the accounts differently from most pop stars. The 2023 “Used to Be Young” series ran on TikTok as short, direct-to-camera stories about her Disney years, her family and her mistakes — no press release, no interviewer, no filter. The Hannah Montana anniversary campaign in March 2026 ran the same way, with archival clips and personal reflections posted in her own voice. When she announced the Something Beautiful visual album in March 2025, the reveal came through her own channels first, with the Pink Floyd-inspired concept explained in her own words. The accounts are, in effect, her press office, her archive and her fan club in one place — and the fact that she controls them directly is part of why her 2026 projects landed without the usual machinery around them.

Personal Life

Cyrus married actor Liam Hemsworth in December 2018, after a relationship that began on the set of The Last Song in 2009 and included an earlier engagement in 2012–2013. The marriage ended within a year; they separated in 2019 and finalized their divorce in 2020. She has been candid since about the pressure the relationship carried — two young people who met as teenagers, grew up in public, and tried to build an adult marriage on a teenage romance — and about the relief of the years that followed.

Since 2021 she has been in a relationship with musician Maxx Morando, the drummer of the band Liily. The two met on what she has described as a blind date — she told Vogue in May 2023 that the setup was effectively blind for her — and first appeared publicly together at a Gucci event in November 2021. Morando has since become a creative collaborator as well as a partner: he co-wrote and co-produced songs on Something Beautiful, including “Walk of Fame,” and shared songwriting and production credits across the album. On December 1, 2025, she confirmed their engagement at the Los Angeles premiere of Avatar: Fire and Ash, where she was photographed wearing a diamond ring; Page Six confirmed the engagement the same week. At her Hollywood Walk of Fame ceremony in May 2026, her mother Tish called Morando her “husband” while posing for photographs — a slip that set off a round of secret-marriage speculation neither of them has confirmed.

She remains close to her family, though the relationships have had public strains. Her parents separated, and her father’s remarriage and public behavior have drawn press attention she has mostly declined to discuss in detail. Her godmother Dolly Parton remains a mentor and collaborator — the two have recorded together, performed together, and co-hosted her New Year’s Eve special. She lives primarily in California, between Malibu and Los Angeles, and keeps a home base in Tennessee. She does not have children.

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Published on 2026-11-09. Last reviewed November 2026. Found an error? See our corrections policy.