Paris Jackson Net Worth 2026: The $150M Trust Fortune

Paris Jackson‘s net worth is estimated at $100 million to $150 million as of November 2026. The figure sits at the center of a live court fight: on October 29, 2026, Jackson asked a Los Angeles judge to move $600 million from her father’s estate into the family trust, arguing it has stayed unfunded for more than 17 years. Behind the headline number sits a career she built herself — a Republic Records deal, a second album released in August 2026, a first headlining tour, IMG modeling work and a string of film and television roles — plus roughly $65 million in estate benefits already paid out since 2009, a figure her own lawyers dispute.

Early Life and Background

Paris-Michael Katherine Jackson was born on April 3, 1998, in Beverly Hills, California. She is the second child and only daughter of Michael Jackson and Debbie Rowe, and the middle sibling between Prince Jackson, born in 1997, and Bigi Jackson, born in 2002. Her first years were spent largely out of public view at Neverland Ranch, her father’s Santa Barbara County estate, where the three children were raised behind gates and, in public, often behind masks and veils their father used to shield them from cameras.

That sheltered childhood ended on June 25, 2009, when Michael Jackson died at 50 and Paris was 11. Twelve days later, at his public memorial at the Staples Center in Los Angeles, she stepped to the microphone and spoke about her father in front of a global audience — a short, unscripted moment that made her a public figure in her own right before she had chosen any career. After his death, the three children were raised by their grandmother, Katherine Jackson, at the family home in Encino, California.

The inheritance question that still dominates headlines about her was settled on paper long before she was an adult. Michael Jackson’s 2002 will directed his assets into the Michael Jackson Family Trust, with 40 percent earmarked for his three children, 40 percent for his mother Katherine, and 20 percent for children’s charities. Distractify’s March 2026 reporting repeats that split, and it matches the structure described in the October 2026 court filings. What the will did not do was hand the children cash. Under the trust terms described in Paris’s October 2026 petition, each child became eligible for income from their share at 21, while the principal — the underlying assets — arrives in installments at ages 30, 35 and 40. Paris is 28. She turns 30 in April 2028, which is why the schedule, as much as the size, of the trust matters to her net worth today.

Her mother, Debbie Rowe, a former dermatology nurse who was married to Michael Jackson from 1996 to 1999, has kept a low profile for most of Paris’s adult life. Paris has spoken warmly about Rowe in interviews, and the two have been photographed together at public events, but Rowe plays no role in the estate dispute or in Paris’s career decisions. The estate itself is run by executors John Branca and John McClain, and Branca — who first worked for Michael Jackson in 1985 — is the named target of much of Paris’s criticism in the 2026 filings.

One fact shapes every number in this article: the estate Paris stands to inherit from is far larger than the estate her father left behind. The New York Times reported in 2024 that Michael Jackson died about $500 million in debt, a figure MarketRealist repeated in its November 2026 coverage. Since then, Forbes estimates the estate has generated more than $3.5 billion, and the petition Paris filed in October 2026 puts the estate’s value between $2 billion and $3 billion, with gross earnings above $2.5 billion through December 2024. Her $100 million to $150 million estimate is a slice of that much larger machine — and the slice is still being argued over in court.

Education

Paris attended the Buckley School, a private school in Sherman Oaks, California, where she was a student through her teenage years. She finished high school in 2015, the year she turned 17, and her plans at that point had nothing to do with fame. In an October 2017 interview with W Magazine, given as her public career was starting, she said she had originally planned to stay out of the spotlight and become a psychologist or a nurse at a psychiatric ward. She changed course shortly before graduation, telling People at its Ones to Watch party that it would have been a shame to waste the platform she had been given.

That decision — to use the platform rather than leave it — explains the shape of her career since. She has talked openly about mental health, including her own treatment as a teenager, and the subject keeps resurfacing in her work: in her songwriting, in her advocacy, and in Unfiltered, the Facebook Watch docuseries she made with her then-boyfriend Gabriel Glenn in 2020. She also does work for the Elizabeth Taylor AIDS Foundation, the charity of her late godmother, which W Magazine noted in the same 2017 interview. None of that pays like a modeling contract, but it set the terms on which she would be famous: on her own subjects, in her own words.

She never went to college, and no reporting suggests she plans to. Her education, in the professional sense, has been the work itself — a modeling contract at 18, a first television role the same month, and a record deal by 22. The Buckley years matter to the money story in one narrow way: they ended in 2015, and her earning career starts in 2017, which gives her a clean nine-year professional run to measure against the $65 million the estate says it has already paid out in benefits over the same broad period.

Career Journey

Paris Jackson’s professional career began in March 2017, when two things happened in the same month: she signed a modeling contract with IMG Models, one of the largest agencies in the world, and she made her acting debut with a guest role on the Fox musical drama Star. She was 18. The timing was deliberate — she had spent her first Rolling Stone cover interview, published in January 2017, introducing herself to the public on her own terms before taking any job that would define her.

Modeling came first and paid first. Her first major campaign was for Calvin Klein in 2017, and ET Online reported at the time that the deal was worth about $1 million — a figure that was widely repeated but never confirmed by the brand or by Jackson, so it should be read as reported, not verified. What is verified is the run of work that followed: she posed for Calvin Klein, walked the runway for Jean Paul Gaultier, and signed as the face of KVD Beauty, the vegan cosmetics brand, a deal Numéro documented in a 2022 interview. In September 2024 she walked the runway at Paris Fashion Week for Maison Yoshiki Paris, the high-fashion label of Japanese rock star Yoshiki, for its spring/summer 2025 show — her most recent runway credit and a sign that, nine years in, agencies still book her for shows rather than nostalgia.

Acting built more slowly. Her feature-film debut came in 2018 with Gringo, the dark comedy starring David Oyelowo, Charlize Theron and Joel Edgerton, in which she played Nelly. She followed it with a season-three role in MTV’s Scream in 2019, the film The Space Between in 2021, and Habit in 2021, the thriller in which she played Jesus opposite Bella Thorne — a casting choice that drew a petition signed by about 300,000 people objecting to the portrayal, and a wave of press that put the small film on far more radars than its budget would have bought. The same year she joined the tenth season of FX’s American Horror Story, Double Feature, and starred as Maya in three episodes of the spinoff American Horror Stories. Later credits include a role in Donald Glover’s Swarm in 2023, an appearance on Doctor Odyssey in 2024, and One Spoon of Chocolate in 2025.

Music was the third lane, and it is the one that has lasted. She formed the folk duo The Soundflowers with her then-boyfriend Gabriel Glenn, and their self-titled EP arrived in June 2020. A record deal with Republic Records followed the same year, and her debut solo album Wilted was released on November 13, 2020. The 11-track record was produced with Andy Hull and Robert McDowell of Manchester Orchestra, and it reached No. 1 on the iTunes US Alternative Albums chart. The album was a folk-pop break-up record, written after her split from Glenn, and its first single “Let Down” arrived with a video executive-produced by Eli Roth. She followed it with The Lost EP in 2022 and the singles “lighthouse,” produced by Butch Walker, and “bandaid,” featuring a guitar solo from Pearl Jam’s Mike McCready.

Then came a six-year gap between full-length albums — and the busiest touring stretch of her life. She opened for Queens of the Stone Age, Incubus, Manchester Orchestra, Silversun Pickups and The Revivalists on various dates, and in June 2025 she toured with Incubus and Manchester Orchestra on their joint Morning View + The Hits tour. The second album, Happiest Day of My Life, was announced on July 10, 2026 and released on August 21, 2026 through Republic Records. The 11-track set leans harder into alternative rock than Wilted did, with songs shaped alongside Linda Perry, Butch Walker and Jason Lader, and influences Jackson named as The Smashing Pumpkins, Pixies, Marcy Playground and Bright Eyes. Its singles — “zombies in love,” “teenage drama” and “stitched (on & on)” — preceded a summer supporting The Pretty Reckless, a debut on Good Morning America’s Summer Concert Series, and her first headlining run, the Zombies Tour, which opened July 20, 2026 at Reverb Lounge in Omaha, Nebraska and ran through September 28, with stops at the Wiltern in Los Angeles, the Ryman Auditorium in Nashville and Night Club 101 in New York.

Rise to Fame

Paris Jackson did not rise to fame so much as inherit its full weight at 11 and then spend a decade deciding what to do with it. The memorial speech in July 2009 made her recognizable worldwide before she had a single credit. The January 2017 Rolling Stone cover — her first major interview, conducted when she was 18 — was the moment she took control of the story, talking about her father, her tattoos, her mental health and her plans in her own words rather than through family spokespeople.

The career that followed was built in three parallel lanes, and the order matters. Modeling gave her immediate income and visibility in 2017. Acting gave her credits and a Screen Actors Guild foothold from 2018 onward. Music, the slowest lane to pay, is the one she has described as the work she cares about most, and it is the lane where 2026 changed her standing: a second album, a first headlining tour, a Good Morning America debut and a summer on the road with The Pretty Reckless. Most net worth pages about her still read as if her career stopped in 2021, with Wilted as the latest release and American Horror Stories as the latest credit. The 2026 album and tour are the freshest material facts in her earnings story, and they are the ones that lift her from a celebrity heir with side projects to a working touring musician with a record deal in its second album cycle.

Her public image has also shifted. The early coverage focused on her tattoos — more than 20 by some counts — her bohemian style and her famous last name. The 2026 coverage focuses on the court filings and the tour. That shift is worth noting for anyone weighing the $150 million figure: the money story is no longer just “daughter inherits fortune.” It is now two stories running side by side — a legal fight over hundreds of millions in trust money, and a music career that finally has the scale, a headlining tour and a second album, to generate real income of its own.

Main Sources of Income

Paris Jackson’s money comes from five places, and they are not equal. The estate dominates the total, music and touring are the fastest-growing slice, modeling and acting pay steadily, and brand work fills the gaps. The honest way to read the split is that the estate explains the size of her net worth, while her own work explains its direction.

The estate and trust. This is the largest single source by a wide margin. The estate’s own accounting, disclosed in an October 2025 court filing, showed she had received $65 million in financial benefits since her father’s death in 2009 — a figure Celebrity Net Worth reported and her attorneys dispute. A separate accounting for 2024, disclosed in October 2026, showed about $6.3 million in benefits to Paris during that year alone. The estate has told People and other outlets that more than $200 million has been distributed to or for the benefit of all the beneficiaries combined. These are benefits and distributions, not salary: living expenses, allowances and trust payments administered by the executors. The distinction matters, because Paris’s October 2026 petition argues that the trust her father set up — the vehicle that was supposed to pay her on a fixed schedule — has never been funded at all, and that the money she receives arrives at the executors’ discretion instead.

Music and touring. Her Republic Records deal, signed in 2020, covers two albums so far: Wilted and Happiest Day of My Life. Record deals for artists at her level typically pay an advance against future royalties rather than a flat salary, and no figure for her advance has been reported, so we do not guess one. What can be measured is the touring: support slots with Incubus and Manchester Orchestra in 2025, a summer 2026 run with The Pretty Reckless, and her first headlining tour in 2026. Trade-press estimates put her music income at $1 million to $2 million or more across record deals, streaming, merchandise and album sales — a rough range from CEO Today Magazine’s 2025 analysis, not a verified figure. The 2026 tour is the first time she has headlined, which usually means a larger share of ticket and merchandise revenue than a support slot pays.

Modeling. IMG Models has represented her since March 2017, and the agency books her across New York, Paris, Milan, London and Sydney. The Calvin Klein campaign in 2017 was reported by ET Online as a $1 million deal; later campaigns, including KVD Beauty and the Maison Yoshiki Paris runway in 2024, have no published fees. Trade-press estimates put her modeling income at roughly $500,000 to $1 million a year in active campaign years. Those are industry benchmarks, not confirmed payments, and they vary with how many campaigns she books in a given year.

Acting. Her screen work pays the least of the four lanes, and the roles have been supporting parts rather than leads. Trade-press estimates put her acting income at $200,000 to $400,000 across the roles in Gringo, Habit, American Horror Stories and the rest — again, an estimate from industry reporting, not a disclosed salary. The value of the acting work to her net worth is indirect: it keeps her visible between music cycles and it keeps her Screen Actors Guild benefits and residuals ticking over.

Brand partnerships and social media. With between 4.8 million and 5.4 million Instagram followers across 2025 reporting, she sits in the macro-influencer bracket. Industry benchmarks cited by CEO Today Magazine put a sponsored post from an account of her size at $5,000 to $15,000, and her annual sponsored-content income at roughly $250,000 to $300,000 by influencer-marketing platform estimates. She posts selectively rather than constantly, which keeps the per-post value up and the annual total modest.

The table makes the shape of her wealth plain. Her own work — music, modeling, acting and social media combined — likely accounts for a single-digit number of millions across her whole career. The estate accounts for the rest. That is not a criticism; it is the arithmetic of being the daughter of one of the highest-earning deceased celebrities in history. It also explains why the October 2026 court filing matters more to her net worth than any album or campaign: a $600 million trust transfer would change the structure of her wealth as well as its size.

Salary and Earnings

There is no published salary for Paris Jackson, because she has no single employer and no studio or brand has disclosed what it paid her. What exists instead is a set of dated, sourced data points that let a reader build the picture honestly — and a set of gaps that should be named rather than filled with guesses.

The hardest number in her file is the $65 million in estate benefits. It comes from the estate’s own accounting, disclosed in an October 2025 court filing, and Celebrity Net Worth reported it with the warning that her attorneys dispute the figure. The dispute itself is informative: the estate counts things as benefits to Paris that her side does not accept as benefits, which means the true cash she has personally received is somewhere below $65 million. The 2024 accounting is cleaner — about $6.3 million in benefits during a single year, disclosed in October 2026. Spread the $65 million across the 16 years from 2009 to 2025 and the average is about $4 million a year, but the payments were not even: they grew as the estate grew, and the 2024 figure suggests the recent annual run-rate is higher than the lifetime average.

Her earned income is smaller and harder to pin down. No outlet has published her Republic Records advance, her per-show touring fee, or her fee for any single acting role. The trade-press estimates that do exist — $1 million to $2 million or more from music, $500,000 to $1 million a year from modeling in active years, $200,000 to $400,000 from acting in total — come from CEO Today Magazine’s 2025 analysis and similar industry roundups, and they should be treated as informed ranges rather than facts. What is verifiable is the direction: her earned income was flat for years while she released one album in six years, and it rose in 2025 and 2026 as the touring picked up and the second album arrived. A headlining tour pays an artist more per night than a support slot, and the Zombies Tour’s 20-plus dates across North America, followed by headline shows in Europe and the UK in the fall of 2026, represent the largest earned-income window of her career.

Two comparisons keep the numbers honest. First, the $1 million Calvin Klein figure from 2017 was reported by ET Online as a deal value, not a confirmed payment, and it has been repeated so often that it now reads as fact in many roundups. It is not confirmed. Second, the $100 million and $150 million net worth figures that dominate search results are not two measurements of the same thing: the $100 million figure is the older Celebrity Net Worth estimate that most outlets carried for years, while $150 million is the updated figure in Celebrity Net Worth’s November 2026 snapshot, echoed by Distractify and Yahoo Finance. Outlets that still say $100 million are mostly carrying the older number, not disagreeing with the newer one. The range we publish — $100 million to $150 million — reflects that split in the record rather than a real disagreement about her assets.

Businesses and Investments

Paris Jackson has no public business empire, and saying so plainly is part of an honest profile. She has not launched a beauty line, a fashion label, a production company or a tequila brand, and no company filings or investment announcements tie her name to a startup or a fund. The “businesses and investments” section of her wealth story is really a story about the estate’s businesses, which she benefits from without running.

The estate is, by any measure, a large operating business. Its deals since 2009 include the 2018 sale of its roughly 10 percent stake in EMI Music Publishing to Sony for $287.5 million, the 2020 sale of Neverland Ranch for $22 million, and a Sony music deal reported at $750 million upfront. The petition Paris filed in October 2026 lists those transactions as evidence that the estate has the cash to fund the family trust now. The estate’s position, given to Moneywise and others in November 2026, is that legal hurdles — above all the unresolved IRS dispute, in which the agency originally sought about $700 million in taxes and penalties — prevent full funding until they are cleared. The estate also notes that it won a ruling substantially reducing the IRS claim, but that the matter is not settled and the amount could still change.

Her own investment activity, as far as public records show, is limited to the ordinary kind: earnings banked, no reported property portfolio, no disclosed equity stakes. That absence is itself a data point. Many celebrity heirs convert inheritance into visible assets — houses, companies, art. Paris has not, at least not in any way that has surfaced in reporting. The money story that matters for her is not what she bought with the inheritance, but whether the trust that holds it will finally be funded — and on whose terms.

The October 29, 2026 petition is the sharpest statement of her position. She asked a Los Angeles County Superior Court judge to authorize a preliminary distribution of $600 million from the estate into the Michael Jackson Family Trust, or whatever amount the court finds appropriate. The petition says the trust has never been funded although all three siblings are now adults, and that leaving it unfunded has effectively left executor John Branca in charge of their access to the inheritance. The estate rejects that account, saying the claim that payments were withheld or cut is a fabrication and that more than $200 million has already been distributed to or for the beneficiaries. A hearing is set for December 4, 2026. No ruling has been issued. FindLaw’s November 5, 2026 analysis notes that California’s preliminary-distribution process lets a judge approve a transfer before estate administration ends, when it appears the transfer can occur without harming creditors, the estate or another interested person — which is the legal test the December hearing will turn on.

Brand Deals and Sponsorships

Paris Jackson’s brand work is selective, and the selectivity is the point. She has not done the volume of sponsored posts or fast-fashion collaborations that many influencers with her following rely on. The deals on record are few, high-profile and aligned with her public image: fashion, beauty and music, with an emphasis on brands that fit her bohemian, tattooed, animal-friendly persona.

Calvin Klein was the first and biggest. The 2017 campaign put her in the brand’s underwear and denim advertising at 19, and ET Online reported the deal at about $1 million. The number was never confirmed, but the campaign itself is well documented and it established her as a fashion name rather than a celebrity curiosity. KVD Beauty followed: she signed as the face of the vegan, cruelty-free cosmetics brand, a deal Numéro highlighted in 2022 as a natural fit for her stated commitments to inclusivity, self-expression and animal welfare. Runway work has included Jean Paul Gaultier and, most recently, Maison Yoshiki Paris at Paris Fashion Week in September 2024.

On social media, her sponsored output is light. Industry benchmarks put a post from an account of her size at $5,000 to $15,000, and her annual sponsored-content income at roughly $250,000 to $300,000 — figures from influencer-marketing platform estimates, not from her own disclosures. She uses Instagram mainly as a personal and promotional channel for her music, posting tour dates, new singles and the occasional brand mention, rather than as a storefront. That restraint costs her money in the short term and protects the credibility that makes the brand deals she does take worth more.

One more brand relationship deserves a mention because it confuses search results: her fiancé-turned-ex, Justin Long, is a music producer and bandmate, not the Hollywood actor of the same name. The confusion has produced a stream of wrong articles about her personal life, and it is a reminder to check any claim about her relationships against a named outlet before repeating it.

Houses, Cars and Other Assets

No verified public record ties Paris Jackson to a major property purchase, and that is worth stating outright rather than papering over with a generic list of celebrity houses. Profiles place her in Los Angeles, where she lives with her dogs and a cat, and a 2026 video roundup described a modest Topanga-area cabin lifestyle rather than a mansion — but the sourcing on her housing is thin, and no deed, listing or sale price has been published under her name. She does not appear in reporting as a buyer in the Los Angeles luxury market, and no car collection has been documented either.

What she does own, in the sense that matters for net worth, is a beneficial interest in one of the most valuable music estates in the world. The estate held about $850 million in cash and cash equivalents at the end of 2024, according to the accounting cited in her October 2026 petition, and the estate’s value is estimated at $2 billion to $3 billion. Her share of that — one third of the children’s 40 percent, under the will’s structure — is the asset behind the $100 million to $150 million estimate. The complication is access: the trust that holds her share is, by her own petition, still unfunded, and the principal does not begin arriving until she turns 30. An asset you cannot touch yet is still an asset, but it is a different kind from cash in the bank, and any net worth figure that treats the two as identical is overstating her liquid wealth.

The other assets are the ordinary ones of a working musician: instruments, a catalog of recorded work under Republic Records, and the future royalties from two albums and an EP. Streaming royalties for an alt-folk and alt-rock artist at her scale are modest — she is not a chart-topping pop act — but they are recurring, and the 2026 album and tour will add to them. Her tattoo collection, often mentioned in profiles, is personal rather than financial, though it has become part of her brand: more than 20 tattoos, including tributes to her father, that make her instantly recognizable in fashion photography.

Awards and Achievements

Paris Jackson has no major industry awards to list, and inventing a shelf of them would be fabrication. Her measurable achievements sit in a different column: a No. 1 debut on the iTunes US Alternative Albums chart for Wilted in 2020, a Republic Records deal, a second album in 2026, a first headlining tour the same year, a Good Morning America Summer Concert Series debut, and runway and campaign work for brands that do not hire on name alone. She has also kept a career going for nine years under a level of scrutiny that has ended other celebrity children before they started.

The achievement that will define her financially is not an award but a court date: December 4, 2026, when a judge hears her request to move $600 million into the family trust. If the court grants it, the structure of her wealth changes — from discretionary benefits administered by executors to a funded trust paying on the schedule her father set. If it does not, the fight continues, and the IRS dispute remains the obstacle the estate points to. Either way, the hearing is the most consequential date on her calendar, and it arrives before her 29th birthday.

Her advocacy work deserves a line of its own. She has spoken openly about mental health and suicide prevention, worked with the Elizabeth Taylor AIDS Foundation, and used her platform for LGBTQ+ rights and environmental causes. None of that carries a dollar figure, but it is the part of her public life she has chosen most deliberately, and it is the reason her interviews read differently from the standard celebrity-heir profile.

Net Worth Growth Over the Years

The published estimates for Paris Jackson have barely moved for most of her adult life, and then moved twice in two years. Celebrity Net Worth carried her at $100 million for years, and most outlets repeated that figure through 2024. In 2025 the estimate rose to $150 million in updated reporting, and Celebrity Net Worth’s November 5, 2026 snapshot held it at $150 million while other outlets, including Urban Splatter in October 2026, still carried $100 million. The growth table below is a record of published estimates, not of audited wealth — the underlying assets did not jump by $50 million in a year; the estimate caught up with the estate’s growth.

Two other estimates show how wide the disagreement can run when outlets count different things. CineNetWorth’s 2026 piece on Michael Jackson’s children put Paris at $30 million to $50 million, as part of a combined $80 million to $120 million for all three siblings — a figure that appears to count only money already received rather than the full trust interest. Finance Monthly’s analysis, cited in July 2025 reporting, held at $150 million. The honest range across all of it runs from $30 million to $150 million, but the $30 million end counts only what has already been paid out, while the $150 million end counts the trust interest. Our $100 million to $150 million range follows the mainstream of the reporting and the most recent snapshot, and the $65 million in benefits already received is the floor that every version of the story agrees on.

Social Media Presence

Paris Jackson’s social media presence is large, personal and deliberately under-monetized. Her Instagram handle is @parisjackson, and reporting across 2025 put her following at 5.4 million in July and 4.8 million in August — the variation is a reminder that follower counts move and that different outlets count at different moments. A figure of about 5 million is the safe way to state it. She also maintains a presence on X and TikTok, but Instagram is where her audience lives and where her announcements land: the engagement to Justin Long was announced there on December 6, 2024, and her response to criticism of her June 2025 tour dates was posted there as well.

Her feed mixes tour promotion, new music, photography and personal posts, with long captions that read like journal entries rather than press releases. That tone is part of why her engagement rates run high for an account of her size, and it is also why brands pay for access to it: industry benchmarks put a sponsored post at $5,000 to $15,000, and her annual sponsored income at roughly $250,000 to $300,000 by influencer-platform estimates. She has also used the account as a direct line to the public during the estate fight, posting about the June 2025 tour-date controversy — when she performed on the anniversary of her father’s death as an opening act on a bill she did not control — and pushing back at critics in blunt terms.

The social following matters to her net worth in two ways. First, it is a distribution channel for her music that costs her nothing: a new single announced to 5 million followers reaches more people than a radio campaign. Second, it is the reason her 2026 tour could sell headlining rooms like the Wiltern and the Ryman without a hit single on the charts. The audience was built on her name and her story, and the tour converted it into ticket sales.

Personal Life

Paris Jackson is not married. She announced her engagement to music producer Justin Long on December 6, 2024, posting on Instagram with the words “Happy Birthday my sweet blue.” Long is her bandmate and collaborator — he produced her debut album Wilted — and the couple had been together since 2022. By July 2025, multiple outlets reported that the engagement had ended and the couple had split. The split was reported, not announced by Jackson herself, and the details have stayed private.

Before Long, her most public relationship was with Gabriel Glenn, her bandmate in The Soundflowers. The two dated for about two years, made an EP and a Facebook Watch docuseries together, and split in August 2020. The break-up fed directly into Wilted, which Jackson has described as a concept record about heartbreak, betrayal, grief and rebirth. She has said in interviews that she does not label her sexuality, after some outlets described her as bisexual — a point she made in a 2018 Instagram Q&A and has repeated since.

She lives in Los Angeles with her dogs and a cat, and her daily life, as she describes it, is closer to a working musician’s than to a celebrity heir’s: rehearsals, auditions, tour buses — she joked in 2025 about traveling in a “soccer mom van” with Long on tour — and time in the studio. She has spoken openly about her mental health, including treatment as a teenager and her sobriety, and she has said that music is the work that keeps her steady. The estate fight is the exception to the privacy she otherwise keeps: it is the one part of her life that plays out in court filings and press statements, and it is the part that will decide how much of her father’s fortune she controls, and when.

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Published on November 7, 2026. Last reviewed November 2026. Found an error? See our corrections policy.