Kyla Pratt Net Worth 2026: The $3M Voice-Acting Fortune

Kyla Pratt‘s net worth is estimated at $1 million to $3 million as of November 2026. She built it the slow way: a child actress who never stopped working, from a $10,000-an-episode sitcom paycheck at 16 to 25 years as the voice of Penny Proud, with two hit Dr. Dolittle films, a five-season sitcom of her own, and a Disney+ revival that won her a 2023 NAACP Image Award along the way.

Early Life and Background

Kyla Alissa Pratt was born on September 16, 1986, in Los Angeles, California, and grew up in the city where the work was. Her mother, Kecia Pratt-McCullar, was a schoolteacher who had also acted; her father was Johnny McCullar, a basketball player. Pratt was the firstborn of the family, and she has four younger siblings. Growing up in Los Angeles put auditions and sets within reach, but the household around her stayed deliberately ordinary — a point Pratt has returned to again and again when interviewers ask how a child star survives the business intact.

In a 2021 interview with Medium, she credited her mother with keeping the work in its place. “I am grateful for my mother. I was brought into this industry so young. I never felt forced to work. I was always given the option. I never was treated better than anyone else in my family because of the work I was doing. I truly feel that’s why I have been able to survive this long in a somewhat crazy industry,” she said. AfroTech’s May 2026 profile of Pratt picked up the same thread, quoting a separate Essence interview in which she said she did not grow up feeling watched: “I didn’t grow up in a household or in an energy that felt like, ‘People are watching you.’ I was still normal. I went to high school, the dances, I hung out with friends.”

That grounding shows up in the shape of her career. Pratt never had a single breakout payday followed by a long fade. She had a first job, then a second, then a third, and the jobs kept coming for three decades. Her first credited screen work came in 1993 with a small part on the ABC sitcom Where I Live, and a 1995 commercial for an interactive computer game was her first professional booking, followed by an appearance on Barney & Friends and a run on the WB sitcom The Parent ‘Hood. By 12 she had already stacked close to 20 supporting and guest roles on series including Friends and The Parkers, according to a 2003 Black Enterprise profile that shadowed her working life. The same profile noted a schedule that would strain most adults: five days a week, three weeks a month, 9 a.m. to 6 p.m., on the Paramount lot.

Her film debut came in 1995 as Becca Ramsey in The Baby-Sitters Club. Small parts in the late 1990s — including Riot (1997) — kept her visible to casting directors, and at 11 she was cast as Maya Dolittle, the daughter of Eddie Murphy’s veterinarian, in Dr. Dolittle (1998). The film opened on June 26, 1998, and went on to gross $294.5 million worldwide, according to Box Office Mojo — a number that matters to this estimate because a child actor on a hit of that size earns more than a salary: the credit follows her for life, and the franchise kept paying.

Pratt’s background also explains what she did not do. She did not chase a pop career, did not rebrand as an influencer, and did not spend her twenties fighting for tabloid attention. She kept taking acting jobs — sitcoms, films, voice work — and let the credits pile up. That is the whole financial story in miniature: no single windfall, no public business empire, just 30-plus years of paid work in an industry where most child actors stop getting calls by 20.

Education

Pratt attended Hamilton High School Academy of Music and Performing Arts in Los Angeles, one of the city’s magnet programs for performing-arts students. She stayed in a traditional classroom through 10th grade while starring on the UPN sitcom One on One, then moved to a homeschool-style program to finish her schooling around the production schedule, according to AfroTech’s 2026 profile. The switch was practical rather than dramatic: a five-day-a-week sitcom shoot and a full school day do not fit together, and the homeschool arrangement let her keep working without dropping out.

Her mother policed the balance. In the interviews Pratt has given about her teens, the recurring detail is that school, dances and friends were protected time, not optional extras squeezed around call sheets. That discipline is easy to underrate as a financial factor, but it is one reason Pratt’s career has no lost decade. Child stars who burn out in their teens usually do so because school, family and normal life collapse under the schedule; Pratt’s did not, and she walked straight from her teens into adult roles without the comeback narrative that usually costs actors years of income.

She has no college degree on the public record, and no reporting ties her earnings to any formal business education. Her training was the work itself: commercial sets at nine, a studio film at 11, a network sitcom at 15, a voice booth at 14. By the time most actors her age were graduating from drama school, she had already logged a decade of professional credits and a hit film franchise.

Career Journey

Pratt’s career breaks into four clear phases, and each one added a different kind of income. The first phase, 1993 to 2000, was the child-actor grind: commercials, guest spots and small film roles, capped by Dr. Dolittle in 1998 and Love & Basketball in 2000, where she played the young Monica, the character Sanaa Lathan played as an adult. Love & Basketball earned strong reviews and a loyal audience, and it put Pratt on screen in a prestige drama rather than only in family comedies — a useful credit when the teen roles started coming.

The second phase, 2001 to 2006, was her sitcom peak, and it ran on two tracks at once. In 2001 she took the role of Breanna Latrice Barnes on UPN’s One on One, playing the teenage daughter of Flex Alexander’s sports broadcaster. The show ran five seasons, and Pratt was its female lead for the whole run. At the same time, she was in a recording booth voicing Penny Proud, the lead character of Disney Channel’s The Proud Family, which premiered in 2001 and ran to 2005. Holding a live-action lead and an animated lead at the same time is rare for any actor, let alone a teenager, and it meant two paychecks, two audiences and two sets of residuals from a single stretch of her life.

The film work continued alongside the television. She returned as Maya Dolittle in Dr. Dolittle 2 (2001), which grossed $176.1 million worldwide, and then took the franchise over outright: with Eddie Murphy gone, Pratt headlined the three direct-to-video sequels as the adult Maya — Dr. Dolittle 3 (2006), Dr. Dolittle: Tail to the Chief (2008) and Dr. Dolittle: Million Dollar Mutts (2009). Theatrical grosses fell away with the move to video, but the pay structure of a franchise lead still beat a one-off supporting part, and the three films kept her name on DVD shelves through the late 2000s. Other film credits from the period include Fat Albert (2004), The Seat Filler (2005) and Hotel for Dogs (2009).

The third phase, roughly 2010 to 2020, was the transition most child stars fail: the move from teen roles to adult work. Pratt filled it with guest and recurring television — Let’s Stay Together, Recovery Road (2016), The Soul Man — and with a sidestep into reality television as a cast member of VH1’s Black Ink Crew: Compton, the show built around her longtime partner Danny Kirkpatrick’s tattoo world. She also became a mother twice in this stretch, and she has said openly that she stepped back from the pace of her teens to raise her daughters. The work never stopped, but the volume dropped, and so did the income that depends on volume. That dip is visible in the net-worth timeline below: the flat years in the early 2010s are the years she was working less and parenting more.

The fourth phase, 2021 to today, is the revival. Pratt joined the Fox sitcom Call Me Kat as Randi, a main-cast role she held from 2021 to 2023, and returned to the booth for The Proud Family: Louder and Prouder, the Disney+ revival that ran from 2022 into 2026 with Pratt again voicing Penny Proud — the same character, 21 years after she first played her. She added a recurring role as Angie on Showtime’s The Chi across seasons 7 and 8 (2025–2026), appeared on Hulu’s Animal Control, and starred as Rebecca in the Lifetime thriller Girl in the Cellar (2026). The revival phase is the most instructive part of the whole story for anyone trying to value her: Pratt did not need a comeback, because she never left, and the industry’s nostalgia economy finally started paying her for the roles she had already built.

Across all four phases, the throughline is volume. Pratt’s filmography runs to more than 60 credits, and the credits that pay best — the sitcom lead, the franchise films, the long-running voice role — are the ones that also pay again, through residuals and royalties, every time an episode re-airs or a film is streamed. That is the difference between a working actor’s net worth and a one-hit star’s: the money keeps arriving after the work is done.

Rise to Fame

Pratt’s fame arrived in two waves, and the second wave is the one that pays her now. The first wave was Dr. Dolittle in 1998. She was 11, acting opposite the biggest comedy star in the world, in a film that finished the year as one of the highest-grossing family releases — $294.5 million worldwide on a $71.5 million budget, per Box Office Mojo and Wikipedia’s franchise breakdown. The 2003 Black Enterprise profile that shadowed her at 16 caught her at the height of the second wave: a sitcom lead on Monday nights, a cartoon voice on Saturday mornings, and a salary that the magazine put at more than $10,000 per episode, with a stated range of $10,000 to $30,000 per episode.

One on One made her a household face for Black television audiences. The show was UPN’s answer to the family sitcom, built around a single father and his teenage daughter, and Pratt’s Breanna was its center for five seasons. At the same time, The Proud Family made her a voice that a whole generation of Disney Channel viewers could place in one line. The series was the first Disney Channel animated original, and Penny Proud — a 14-year-old navigating school, friends and a loud, loving family — became one of the network’s defining characters. Pratt sang the show’s song “It’s All About Me” for the soundtrack, adding a music credit to the voice credit.

The fame was durable rather than loud. Pratt never had a scandal cycle, never had a public feud, and never had a “where are they now” moment, because she was always somewhere on television. When Disney+ revived The Proud Family in 2022, Pratt was the obvious and only choice to voice Penny again — and the revival handed her something few child stars ever get: a second run on the same character, with a new audience, a new platform and a new paycheck, plus an NAACP Image Award in 2023 for the voice work. The 2023 win, for Outstanding Character Voice-Over Performance (Television), is the clearest marker that the revival was a career event rather than a nostalgia cameo.

Compare her path with the Disney peers who shared her era. Zendaya’s net worth sits far above Pratt’s, but Zendaya’s career ran through Marvel films, Euphoria and global fashion deals — a different scale of fame entirely. Selena Gomez’s net worth is higher still, built on music, a beauty brand and producing. Pratt’s story is the quieter version: she stayed inside acting, stayed employed, and let a 30-year credit list do the work that a single blockbuster does for other stars. The trade-off is visible in the numbers — a $1 million to $3 million estimate against their eight-figure fortunes — and it is also visible in the stability: Pratt’s income never depended on one deal holding together.

Main Sources of Income

Acting is the overwhelming majority of Kyla Pratt’s wealth, and it arrives in four streams that behave differently. The first is live-action television salaries: five seasons leading One on One, three seasons on Call Me Kat, a recurring run on The Chi, and dozens of guest spots. Sitcom money is the steadiest money in television — a weekly rate, paid across a season — and Pratt collected it for most of her teens and again in her thirties.

The second stream is voice acting, and it is the one that sets her apart from other sitcom stars. Penny Proud paid her in the original run (2001–2005), in The Proud Family Movie (2005), and again in the Disney+ revival (2022–2026). Voice work also paid her in smaller roles, including Lilo & Stitch: The Series, and it carries a structural advantage: a voice actor can record multiple projects in a week without the schedule conflicts that limit on-camera work, and animated series run for years on repeat. AfroTech’s 2026 profile framed the voice career as the core of her fortune, and the framing is fair — Penny Proud is the single role Pratt has held longest, across a quarter of a century.

The third stream is film: the two theatrical Dr. Dolittle films, three direct-to-video sequels in which she was the lead, and supporting turns in Love & Basketball, Fat Albert, The Seat Filler and Hotel for Dogs. Film pay for a supporting child actor is a lump sum rather than a weekly rate, and the direct-to-video sequels paid less than the theatrical films — but leading a franchise, even a video franchise, commands a higher fee than a one-day supporting part, and Pratt led three of them.

The fourth stream is the one nobody sees on a filmography: residuals and royalties. One on One and The Proud Family have both lived on in syndication, cable reruns and streaming, and actors are paid each time their work is reused. Raven-Symoné has said publicly that she has never spent a dollar of her Cosby Show royalties; Pratt has made no similar claim, but the mechanism is the same, and it is the reason a 2001 sitcom still contributes to a 2026 net worth. Brand partnerships — Popsicle, Olay and Lego, named by AfroTech — add a fifth, smaller stream, and there is no public record of a business, product line or investment portfolio contributing a meaningful share. That absence matters: Pratt’s wealth is a wage-earner’s wealth, built from paychecks rather than equity, which is why the total is modest next to stars who own brands.

Salary and Earnings

The best-sourced salary figure in Pratt’s whole file comes from Black Enterprise, which profiled her in 2003 — while One on One was airing — and reported that she earned more than $10,000 per episode, with a stated salary range of $10,000 to $30,000 per episode. A five-season sitcom at that rate, across more than 100 episodes, is the single biggest pay period of her career, and it is the only per-episode figure attached to a named, contemporaneous outlet. Everything else in circulation about her pay is thinner: some entertainment sites claim an annual income of $300,000 to $400,000 in recent years, and others quote a monthly figure near $15,000, but none of those numbers traces to a filing, an interview or a trade report, so we do not treat them as verified. Pratt has never publicly disclosed her pay for Call Me Kat, The Chi, Animal Control or the Proud Family revival, and Disney has never published voice rates for the revival cast.

What can be said with confidence is how the pay structure works. A sitcom lead on a broadcast or cable series earns a weekly rate for each episode produced, and a five-season run at five figures an episode produces low-seven-figure gross earnings before tax, agents and managers take their share — typically 10% to the agent and 10% to 15% to a manager, plus taxes. A child actor’s earnings are further reduced by the Coogan Law, California’s rule that 15% of a minor’s gross earnings must be set aside in a blocked trust account the child can access at 18. Pratt’s early money was therefore smaller in hand than the headline rates suggest, and the trust-account rule is one more reason her adult net worth is measured in single-digit millions rather than tens of millions.

Voice pay is a different scale. Union voice rates for animated television are far lower per session than on-camera sitcom rates, which is why voice actors make their money on volume and longevity rather than on any single session. Pratt’s voice income is best understood as a long, thin stream: more than 50 episodes of the original Proud Family, the 2005 movie, and three-plus seasons of the revival, plus residuals each time the shows stream. No single year of voice work matches a sitcom-lead year, but 25 years of it adds up — and it kept paying during the years when on-camera roles were scarce.

The film side is easier to bound. Pratt was a child supporting player in the two theatrical Dr. Dolittle films, so her fees would have been a fraction of Eddie Murphy’s reported $20 million-plus payday for the first film, and the three direct-to-video sequels paid video-scale fees. Her total film earnings across the franchise are best described as solid six figures per theatrical film and lower for the video sequels — real money, and a meaningful share of the estimate, but not the kind of money that builds an eight-figure fortune on its own.

How does that stack up against her peers? The table below uses Celebrity Net Worth’s published estimates for the comparison names, and our $1 million to $3 million range for Pratt. The gap is the story: Pratt worked as long as any of them, but she worked inside acting alone, without the producing, music or brand-ownership deals that push former child stars into eight figures.

Two cautions belong with that table. First, peer estimates move: Celebrity Net Worth’s own Raven-Symoné page once carried a $40 million figure in syndicated mirrors and now lists $20 million, and it carries a long note debunking a persistent $400 million rumor. Second, Pratt’s range is wide because the sources genuinely disagree — Celebrity Net Worth says $1 million, AfroTech and StarsUnfolded say $3 million. A reader who wants a single number should use $3 million as the most-cited 2026 figure and $1 million as the conservative floor, and should ignore the $5 million to $8 million figures that circulate on low-quality profile sites with no sourcing behind them.

Businesses and Investments

Here is the honest answer: there is no public record of Kyla Pratt owning a business, launching a product line, or holding a disclosed investment portfolio. No company registration, no brand launch, no startup investment and no real-estate flipping operation appears in any reporting about her. The entertainment sites that claim she earns from “books” and “songs” do not name a book or a song, and the ones that list “investments” as an income source never say invested in what. We checked; there is nothing to check against.

That absence is itself useful information, because it explains the size of the estimate. The former child stars who clear $20 million almost always do it outside acting: Raven-Symoné moved into producing and directing, Zendaya into fashion and producing, Selena Gomez into a beauty brand. Pratt stayed inside the craft. Her partner, Danny Kirkpatrick, is the entrepreneur in the household — a tattoo artist and musician who built a name in the tattoo world, appeared on Black Ink Crew: Compton, and has tattooed clients including Meagan Good and NBA player Marcus Smart, according to AfroTech — but his business is his, and his own net worth is reported separately at $500,000 to $1 million.

What Pratt does hold, in the investment sense, is the closest thing an actor has to an asset: a catalog. The Proud Family character, the One on One episodes, the Dr. Dolittle films — these are rights that keep generating residual payments, and the 2022 revival proved the catalog still has commercial value. Disney’s decision to bring the show back, and to bring Pratt back with it, is the market telling her that the character is worth paying for a second time. That is not a stock portfolio, but for a working actor it is the most reliable store of value there is.

One more gap is worth naming plainly: no stock holdings, no crypto, no venture stakes and no endorsement equity have ever been reported for Pratt, and she has never spoken publicly about investing. Readers should treat any site that lists a specific investment for her as inventing it. If she invests privately, it stays private, and an estimate built on public reporting cannot count what it cannot see.

Brand Deals and Sponsorships

Pratt’s brand work is real but modest, and it clusters in family-friendly consumer goods — the natural fit for an actress whose most famous role is a Disney cartoon teenager. AfroTech’s 2026 profile names three partnerships: Popsicle, Olay and Lego. The Popsicle tie is the best documented of the three, with a PR Newswire release behind it, and the Olay and Lego work surfaced through her social channels. None of the three was a long-term ambassador contract of the kind that pays seven figures; they read as campaign and content partnerships, the kind that pays a working actor a solid five-figure fee per campaign and keeps her visible between roles.

That scale fits the rest of her profile. Pratt has never been a fashion-week fixture or a beauty-brand frontwoman, and her social following — real but not enormous — does not command influencer-scale rates. Her value to a brand is trust and recognition: mothers who grew up watching One on One and The Proud Family now buy Popsicles and Olay for their own kids. It is a durable pitch, and it is one reason the brand work keeps coming in her forties, but it is a side stream next to acting, not a second career.

Two details from AfroTech’s reporting sharpen the picture. First, the brand work sits alongside continued acting rather than replacing it — she was doing Popsicle and Olay campaigns while also appearing on Hulu’s Animal Control and Lifetime’s Girl in the Cellar. Second, the brands are the kind that pay on time and renew: household names with real marketing budgets, not the crypto and supplement deals that fill other celebrities’ feeds. For an estimate, the right way to treat this stream is as a steady supplement — tens of thousands of dollars a year in campaign fees, not a fortune-maker.

Houses, Cars and Other Assets

The one property story attached to Pratt’s name is a Redondo Beach house. Multiple entertainment outlets report that she bought a home in Redondo Beach, California, in September 2020 for a reported $1.295 million — a five-bedroom, three-bath house of about 2,680 square feet. The figure circulates widely, but it traces to entertainment-profile sites rather than to a deed record or a listing we could verify independently, so we report it as reported, not as confirmed. If the purchase price is right, the house is the single largest asset in her financial picture: a $1.295 million purchase against a $1 million to $3 million net worth means a large share of her wealth sits in one roof, which is normal for a working actor and very different from a star with a diversified portfolio.

What the reporting does not give us is the rest of the property picture: no second home, no rental portfolio, no public record of a sale or refinance. Pratt keeps her address and her housing details private, and the Redondo Beach reports do not include a street address in any source we would repeat. Readers should be wary of sites that publish exact addresses for celebrities; the data-broker pages that do so are not reliable sources for net worth, and we do not use them.

Cars are a blank. No verified reporting lists a vehicle Pratt owns, and the profile sites that claim a car collection for her either name no cars or copy the same generic list from each other. That is not unusual — most working actors do not publicize their cars — but it means the “luxury car collection” paragraphs on some net-worth sites are filler, and this article does not repeat them. The same applies to jewelry, watches and art: no verified public record, no claim made here.

Put together, the asset picture is simple and consistent with the estimate: one reported house, no verified second property, no verified vehicle collection, and a career catalog that pays residuals. Pratt’s wealth is not parked in things a reader can photograph. It is parked in a home she lives in and in work she has already done.

Awards and Achievements

Pratt’s trophy shelf is small but well chosen, and the recent entries matter more than the early ones. In 1999 she won the Nickelodeon Kids’ Choice Award for Favorite Rising Star, the kind of early-career prize that marks a child actor as one to watch. The award that means most to her net worth story, though, came 24 years later: in 2023 she won the NAACP Image Award for Outstanding Character Voice-Over Performance (Television) for The Proud Family: Louder and Prouder, and the same year she won the NAMIC Vision Award for Best Performance – Comedy for the same role. Two wins in one year, for the same character, a generation after she first played her.

The 2023 wins did two things. First, they put Pratt back on awards lists in her late thirties, which is when casting directors and producers start paying attention again to actors they filed under “former child star.” Second, they validated the revival commercially: Disney+ does not hand out second seasons to shows that do not perform, and an award-winning voice cast is part of why Louder and Prouder ran from 2022 into 2026. Awards do not pay directly, but for a working actor they are a rate card — the next negotiation starts from the last win.

The rest of her achievements are the kind that do not come with a statuette: five seasons leading a network sitcom, three Dr. Dolittle films as the franchise lead, a Disney character carried across 25 years, and a career with no lost decade. She has been nominated again at the NAACP Image Awards in 2026 for the voice work, according to ProfileAge’s 2026 update — a claim we could not verify against the NAACP’s own announcements, so we note it as reported rather than confirmed. What is confirmed is the 2023 double win, and it is the strongest recent evidence that Pratt’s work still commands industry respect — and industry rates.

Net Worth Growth Over the Years

Pratt’s wealth curve is flat where other stars’ curves spike, and that flatness is the point. She never had a single year that doubled her money, and she never had a year that wiped it out. The table below separates what published estimates say from what we modeled: the 2026 range comes from live sources, while earlier rows are NetWorthCraft reconstructions from career activity — sitcom seasons, film releases, and the years she worked less — not figures any outlet published at the time.

Three patterns stand out. First, the floor never dropped: even in the quietest years, residuals from two long-running shows kept the total near $1 million. Second, the ceiling never jumped: without a brand, a producing deal or a blockbuster lead, there was no mechanism for a sudden leap to $10 million. Third, the range widened late, not because Pratt’s money changed but because the estimators split — Celebrity Net Worth holding at $1 million while 2026 profiles converged on $3 million. A reader comparing Pratt with peers should remember that the peer numbers carry the same uncertainty: Raven-Symoné’s own estimate has moved between $20 million and $40 million depending on the year and the outlet.

Social Media Presence

Pratt keeps a public Instagram presence under her own name, where she posts about her work, her family and the occasional brand partnership — the Olay and Lego campaigns AfroTech names both ran through her social channels. She is not an influencer by trade: her following is a fraction of the Disney stars who built their brands on social media, and she does not post daily, sell products in her feed, or run a subscription channel. Her social value to brands is recognition rather than reach — a face and voice that three generations of viewers know on sight.

That restraint is a choice, and it fits the rest of her profile. Pratt has talked openly about parenting in public — in a 2023 WonderMind conversation she described letting her daughters see her have hard moments rather than pretending everything was fine — but she has kept the details of her relationship and her children largely out of the press. Her partner, Danny Kirkpatrick, is the more visible of the two online, with more than 240,000 Instagram followers of his own, according to AfroTech, built around his tattoo work and music.

Pratt has also used the older media circuit rather than chasing the newer one: appearances on Celebrity Family Feud in 2022, A Black Lady Sketch Show the same year, and Fantasy Island in 2023 kept her on broadcast and cable while the revival brought her back to streaming. For a net-worth estimate, the social-media line is simple: it contributes a little, through brand campaigns, and it costs her nothing in scandals or controversies, which is more than most child stars can say.

Personal Life

Pratt has been in a long-term relationship with Danny Kirkpatrick, a tattoo artist, musician and entrepreneur who performs as KP, since the late 2000s. The couple are engaged and have two daughters together: Lyric Kai and Liyah Kilpatrick. They have never married on the public record, and the “husband” label that appears on many profile sites is wrong — Kirkpatrick is her partner and fiancé, not her husband. The confusion is common enough that it is worth stating plainly, because it affects how household wealth is counted: the estimates in this article are Pratt’s alone, and Kirkpatrick’s own net worth is reported separately at $500,000 to $1 million.

Kirkpatrick built his own name in the tattoo world, appearing on VH1’s Black Ink Crew: Compton and tattooing clients including actress Meagan Good and NBA player Marcus Smart. The couple’s life together has played out partly on that show and partly in Pratt’s own interviews, where she has spoken about parenting with unusual candor. In the 2023 WonderMind conversation, she described a rule she set for herself when her daughters were younger: “I don’t want my kids to feel like their mom is perfect and have everything together because they’re not going to be perfect and have everything together all the time.” It is a small window into why the household has stayed stable while so many child-star families have not.

Pratt’s parents remain part of the story. Her mother, Kecia Pratt-McCullar, managed the early career and set the rule that acting was an option, never an obligation. Pratt has four younger siblings, and she has kept her family life in Los Angeles — the same city where she was born, schooled and cast. She has never moved her base to Atlanta, New York or anywhere else the industry shifted, and the Redondo Beach home reported in 2020, if the reports are right, keeps her in the Los Angeles area where the voice work is.

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Published on November 12, 2026. Last reviewed November 2026. Found an error? See our corrections policy.