Yella Beezy‘s net worth is estimated at $2 million as of October 2026. The Dallas rapper built that figure on one breakout single — 2017’s “That’s On Me,” a Billboard Hot 100 hit with an RIAA gold plaque — plus a run of high-profile collaborations with Chris Brown, Quavo, Gucci Mane and Lil Baby, and a catalog that has passed half a billion Spotify streams. The honest complication: no net-worth tracker has updated its math since his March 2025 arrest on a capital murder-for-hire charge, and the trial now set for October 26, 2026 could drain whatever the true number is through legal bills alone. Published estimates span $600,000 to $8 million; the $2 million figure, carried by Celebrity Net Worth and corroborated by 2025–26 reporting across multiple outlets, is the one with the most support — with the caveat that the 2025–26 legal fight has likely moved it downward.
Yella Beezy: Quick Facts
| Estimated net worth | $2 million (range: $600,000–$8 million across public trackers; most cluster at $2 million) |
|---|---|
| Profession | Rapper, songwriter |
| Nationality | American |
| Born | October 21, 1991, Dallas, Texas (age 34) |
| Height | Reported between 5’9″ and 5’10” (sources disagree) |
| Primary income sources | Streaming royalties, live performances, guest features, label advances |
| Active years | 2012–present |
| Last reviewed | October 2026 |
- Early Life and Background
- Education
- Career Journey
- Rise to Fame
- Main Sources of Income
- Salary and Earnings
- Businesses and Investments
- Brand Deals and Sponsorships
- Houses, Cars and Other Assets
- Awards and Achievements
- Legal Battles and Their Financial Cost
- Net Worth Growth Over the Years
- Social Media Presence
- Personal Life
- Sources & Reporting
- Frequently Asked Questions
Early Life and Background
Markies Deandre Conway was born on October 21, 1991, in Dallas, Texas, and raised in the city’s Oak Cliff neighborhood. One agency biography lists October 22 instead; the 21st is the date carried by the majority of published profiles, so this article uses it. Conway is African American and, according to biographical profiles, Christian — a background detail that surfaces in his lyrics more often than in interviews.
His childhood was marked by the kind of loss that shows up all over his music. When Conway was 12, his father was killed by gun violence, leaving his mother to raise the family alone in Oak Cliff. In interviews and profiles he has credited her with holding the household together through those years. Football was his first ambition — he dreamed of going pro — but by 13 he was writing lyrics, taking cues from Southern rap figures like Boosie Badazz and Kevin Gates, whose mix of street detail and melodic delivery became the template for his own style.
The music started early and stayed local. Conway released his first mixtape, Mash Mode Overload, at 14, followed by Lil Yella Mane in 2012. One biography claims he got his start spinning as a neighborhood DJ at Dallas parties before a producer nudged him toward rapping — a single-source claim, so treat it as reported rather than confirmed. What is well documented is the grind that followed: years of self-released tapes and relentless appearances at Dallas clubs and events, building a grassroots following in the metroplex long before any label showed interest.
Education
Published profiles place Conway at Lancaster High School in Texas, just south of Dallas. Beyond that, the public record on his schooling is thin: no college attendance is documented anywhere in the reporting, and his interviews tend to skip the classroom entirely in favor of the studio and the stage. The football dream that once pointed toward a scholarship ended when music took over in his mid-teens. For a net-worth profile, the relevant detail is that Beezy’s earning power was built without industry connections or a college network — it came from the Dallas club circuit and, later, streaming platforms.
Career Journey
Between 2012 and 2017, Yella Beezy ran a textbook independent grind. After Lil Yella Mane, he stacked mixtapes — Country Rap Tunes (2015), Lite Work (2015) and Broke Nights Rich Days (2015) — while working the Dallas club scene show by show. The first single to travel beyond Texas was “Trap in Designer,” off Broke Nights Rich Days, which gave him his first real regional traction in 2015.
The catalog kept growing through 2016 and 2017 with tracks like “Goin’ Thru Some Thangs” (October 2016), “Up One” and “Favors.” None of these charted nationally, but they did something more useful for an unsigned artist: they built a streaming base and a live draw. By the time he released Lite Work, Vol. 2 on November 21, 2017, Beezy had a loyal Dallas-Fort Worth audience and a YouTube pipeline running through channels like WorldStarHipHop and HalfpintFilmz. He was, by every account, one single away — and he knew it.
Financially, this era was subsistence-level by design. Independent mixtape artists in the mid-2010s earned through club bookings, small streaming payouts and, in Beezy’s case, the occasional regional hit. No salary figures from this period exist in the public record, and any tracker assigning him a seven-figure net worth before 2018 is guessing. The money story starts with the next single.
Rise to Fame
“That’s On Me” arrived on October 31, 2017, released independently as the second single from Lite Work, Vol. 2. Written by Conway and produced by Shun On Da Beat, the track ran 3:39 and did what five years of mixtapes hadn’t: it charted. The single peaked at No. 56 on the Billboard Hot 100 and No. 25 on Billboard’s Hot R&B/Hip-Hop Songs chart, landing at No. 82 on the 2018 year-end R&B/Hip-Hop list. The RIAA certified it gold — 500,000 units in sales and streaming equivalents — and it has since piled up about 78.5 million Spotify streams.
The official remix, released October 26, 2018, turned a hit into a coronation. It stacked verses from 2 Chainz, T.I., Rich the Kid, Jeezy, Boosie Badazz and Trapboy Freddy, and appears on Beezy’s 2018 mixtape Ain’t No Goin’ Bacc. The remix alone has drawn another 41.9 million Spotify streams. Chart success did what chart success does: it brought the labels. Beezy signed with L.A. Reid’s Hitco Entertainment on the strength of the single’s run.
Ain’t No Goin’ Bacc (2018) consolidated the breakthrough with “What I Did” featuring Kevin Gates and “Up One” featuring Lil Baby. That same year Beezy opened for Beyoncé and Jay-Z on their On the Run II Tour’s Dallas and Houston stops — the kind of exposure money can’t buy, in front of stadium crowds. The 2019 follow-up, Baccend Beezy, his first full project under Hitco, delivered his two biggest collaborations to date: “Bacc At It Again” with Quavo and Gucci Mane, which earned its own RIAA gold certification and sits at 36.2 million Spotify streams, and “Restroom Occupied” with Chris Brown, now past 40.2 million Spotify streams. He also appeared on Rubi Rose’s “Hit Yo Dance” with NLE Choppa in 2019.
The output stayed steady into the 2020s: the album Bad Azz Yella Boy (2020), collaborations with Gunna (“Diamonds On Me,” 15.4 million streams), Young Thug (“Headlocc,” 24.1 million streams) and 42 Dugg (“Solid”), and the 2022 project Blank Checc. A new deal with Asylum Records was announced in 2019, and he has since worked through Profit Music Group as well. His 2025 singles “Blame It on Me” and “The 1” arrived on his own FireMarshall Entertainment imprint — released while he was under house arrest, which tells you something about the work ethic even if the streaming numbers are a fraction of the 2018 peak.
One strange footnote belongs in the rise, because it verifiably moved the business needle: in 2020, surveillance-style footage from inside Beezy’s home leaked online after his child’s mother accidentally posted it to her Instagram Story. Beezy told The Shade Room it was an honest mistake, insisted it was no publicity stunt — and said his streams climbed anyway. The episode is a reminder that in the streaming era, attention of any kind converts to royalties.
Main Sources of Income
Yella Beezy’s money comes from four places, and the order matters. First is catalog streaming. Music Metrics Vault’s current data (crawled within days of this writing) credits him with 536 million total Spotify streams across 241 tracks, 738,769 monthly listeners and 1.6 million Spotify followers. His top five tracks — “That’s On Me,” its star-studded remix, “Restroom Occupied,” “Bacc At It Again” and “Headlocc” — account for roughly 220 million of those streams between them. Two RIAA gold singles keep earning every month; gold never stops paying.
Second is live performance. Before the 2025 arrest, Beezy was an active touring act represented by the MN2S booking agency, and TicketSmarter’s market data puts his average ticket price at $98, with cheap seats around $67 and VIP floor packages near $374. Opening the On the Run II Tour’s Texas dates in 2018 put him in front of stadium audiences at the exact moment his single was peaking — the most valuable booking of his career. The 2025 house-arrest conditions (more on those below) froze this income stream entirely: his attorney’s motion for limited work release explicitly argued the bond terms were damaging his music career.
Third is guest features and collaborations. Beezy’s feature résumé reads like a Southern rap who’s-who — Lil Baby, Kevin Gates, Gunna, Young Thug, 42 Dugg, Chris Brown, Quavo, Gucci Mane. Feature fees for artists at his level are never disclosed, but each appearance doubles as promotion for his own catalog, which is where the lasting money sits.
Fourth is label money: the Hitco signing that followed “That’s On Me,” the Asylum Records deal announced in 2019, and his current independent setup through Profit Music Group and his own FireMarshall Entertainment imprint. Advances from those deals would have been his largest single paydays — but advances are recoupable against royalties, not gifts, and no figures were ever made public.
Salary and Earnings
There is no such thing as a rapper’s salary, and Yella Beezy has never published earnings — so this section reports what the data actually shows, with the gaps labeled.
The most concrete earnings model comes from Popnable, which estimates artist income from public streaming and sponsorship data. Its model puts Beezy’s 2025 earnings at $53,500 (range $53,100–$70,200), 2026 year-to-date at $16,000, and his estimated career earnings at $1.5 million (range $1.3–$1.7 million). Treat those as modeled estimates, not audited figures — but the order of magnitude is instructive: a mid-tier rapper with one gold single and a deep catalog earns a working musician’s income from streaming, not a fortune. The fortune, such as it is, sits in the catalog’s accumulated value and whatever was banked during the 2018–2020 peak.
What the peak looked like in hard numbers: an RIAA gold single represents 500,000 units. At typical streaming payout rates, 78.5 million Spotify streams on “That’s On Me” alone translates to roughly $235,000–$315,000 in gross recording royalties before the label, producers and songwriters take their cuts — and Beezy wrote the song himself, which keeps the publishing share in his pocket. The remix’s 41.9 million streams add a second, smaller royalty stream. “Bacc At It Again” (36.2 million) and “Restroom Occupied” (40.2 million) contribute similarly. None of these are his to keep whole — Hitco, Asylum and the various collaborators all have contractual slices — but across a 536-million-stream catalog, the cumulative royalty picture is the foundation of the $2 million estimate.
Touring math is murkier. No per-show fee has ever been reported, and artist guarantees at Beezy’s level vary wildly by market. What is documented is demand: 2.04 million Instagram followers, nearly three-quarters of a million monthly Spotify listeners, and a booking agency listing that stayed active into 2026. The honest statement is that live shows were a major income pillar from 2018 through early 2025, and the pillar collapsed when the ankle monitor went on.
Businesses and Investments
Here the record is thin, and this article won’t pad it. Yella Beezy’s most concrete business move is FireMarshall Entertainment, the imprint under which his 2025 singles “Blame It on Me” and “The 1” were released — a sign he’s structuring his independent releases as a label entity rather than one-off drops. He has also worked through Profit Music Group, keeping his release options flexible rather than locked to a single major.
Beyond music, no verified business appears in the reporting. One low-quality biography credits him with an apparel line and real estate investments, but no property records, business filings or reputable outlet corroborate either claim, so they don’t belong in an estimate. No startup investments, no restaurant chains, no documented equity stakes. For an artist at his level this is normal, not a red flag — the business is the music catalog, and the catalog is the asset. Anyone telling you about Beezy’s property portfolio is inventing it.
Brand Deals and Sponsorships
Unlike rappers who built parallel careers as pitchmen, Yella Beezy has no verified national endorsement deal in the public record — no sneaker contract, no liquor brand, no fashion-house ambassadorship documented by any reputable outlet. His Instagram (2.04 million followers) is full of designer clothes, jewelry and luxury cars, but those read as lifestyle spending, not paid partnerships; none carry the sponsorship disclosures that mark real deals.
His promotional energy has gone toward other artists instead: co-signs, features and remix verses that function as cross-promotion within the rap economy. That choice kept his brand rooted in music rather than merchandise. It also means there is no endorsement income to add to the net-worth math — the $2 million estimate rests on music money alone, which is one reason it trails the figures of peers who layered brand deals on top of smaller catalogs.
Houses, Cars and Other Assets
The visible assets are cars and jewelry. Multiple profiles report Beezy’s collection includes Lamborghinis and Bentleys, and prosecutors at his March 2025 bond hearing pointed to his “expensive vehicles and property” while arguing he was a flight risk — an adversarial source, but a telling one about what he owns. His Instagram regularly shows designer clothes and heavy jewelry, the standard-issue wealth signaling of the genre.
What isn’t documented is a house. No mansion purchase, no property record and no verified real-estate holding appears in any reputable reporting on Beezy. He lives in Dallas — that much is established by the bond conditions, which restrict his travel to Dallas and Denton Counties — but the specific residence is not public. Given that gap, this article assigns zero dollars to real estate in the mental math. That is a data-supremacy point worth stating plainly: several net-worth pages imply property wealth for Beezy without a single sourced address. We found none.
One asset-adjacent fact belongs here because it affects the 2026 picture: since March 28, 2025, Beezy has lived under house arrest with GPS ankle monitoring, his passport surrendered, his travel confined to two Texas counties. A rapper who can’t tour can’t earn from touring, and a legal defense in a capital case bills by the hour. Whatever the true asset total was in early 2025, the direction since has been down.
Awards and Achievements
Yella Beezy’s trophy case is measured in plaques and chart positions rather than award-show hardware — and for a rapper who broke independently, the plaques are the more honest currency.
The headline achievements: two RIAA gold certifications — “That’s On Me” and “Bacc At It Again” with Quavo and Gucci Mane, each representing 500,000 units in sales and streaming equivalents. The Billboard record reads No. 56 on the Hot 100, No. 25 on Hot R&B/Hip-Hop Songs, and a No. 82 finish on the 2018 year-end R&B/Hip-Hop chart for “That’s On Me.” His catalog has cleared 536 million Spotify streams, with the flagship single at 78.5 million.
The career achievements around the music: signing to L.A. Reid’s Hitco Entertainment off an independent single; opening for Beyoncé and Jay-Z on the On the Run II Tour’s Texas dates in 2018; the Asylum Records deal announced in 2019; and a collaboration list — Chris Brown, Quavo, Gucci Mane, Lil Baby, 2 Chainz, T.I., Jeezy, Boosie Badazz, Young Thug, Gunna, 42 Dugg — that most independent artists never assemble. The honest footnote: no Grammy nominations, no BET Awards and no platinum plaques appear in his record. Gold, twice, earned without a major label behind the first one, is the achievement — and it’s enough to anchor a catalog worth real money.
Legal Battles and Their Financial Cost
No honest account of Yella Beezy’s net worth in 2026 can skip this section, because the legal timeline is now the dominant variable in his finances. The reporting here draws on Baller Alert, AllHipHop, The Source, Hot 97 and HipHopHero’s court coverage from March 2025 through October 2026.
The violence found him first. In October 2018, Beezy survived a drive-by shooting on the Sam Rayburn Tollway in Lewisville, Texas, taking three bullets while inside a car. He recovered and kept releasing music. In 2021 came a cluster of arrests: February brought charges in Collin County including sexual assault, child endangerment and unlawful weapon possession — charges that were later dismissed — and August brought a federal arrest on gun and drug charges. Each episode cost money in lawyers and lost work; none derailed the career.
The case that threatens to end it began on November 11, 2020, when Dallas rapper Mo3 — Melvin Noble, known for the 2018 hit “Errybody” — was ambushed on Interstate 35E in Dallas, chased on foot and shot dead in broad daylight. On March 18, 2025, a Dallas County grand jury indicted Beezy, legal name Markies Conway, on a charge of capital murder-for-hire. He was arrested on March 20, 2025. Prosecutors allege he hired Kewon White to carry out the killing; the financial trail they cite includes bank records showing Beezy withdrew $40,000 after the shooting. One hip-hop outlet reports White separately claimed Beezy offered him $50,000 — half upfront, half after — during an October 2020 nightclub encounter; the two figures describe the same alleged transaction from different sources, so this article reports the range rather than picking one.
The bond fight was its own financial event. Bail was initially set at $2 million. At a March 27, 2025 hearing before Judge Gracie Lewis, the defense sought $250,000, citing Beezy’s Dallas roots; prosecutors countered with his expensive vehicles and property as flight-risk evidence. The judge settled on $750,000, and Beezy walked out of Dallas County Jail on March 28 at about 10:04 a.m. Under Texas practice, a defendant typically pays a bondsman around 10 percent — roughly $75,000, non-refundable — to post that amount. The release conditions were strict: house arrest with ankle monitoring, passport surrendered, random drug and alcohol testing, no weapons, no contact with victims, witnesses or co-defendants, and court permission required for any travel outside Dallas and Denton Counties. An April 15 request to loosen the terms so he could attend his child’s football games was denied.
The case’s 2026 chapter is where the money question gets sharp. Kewon White — the alleged shooter — was convicted of capital murder on September 4, 2026, and sentenced to life without parole by Judge Chika Anyiam; in a livestream after sentencing, White denied Beezy had any involvement, a statement that cuts against the prosecution’s theory and complicates the trial ahead. A third defendant, Devin Brown, also faces capital murder charges. Beezy’s own trial was set for jury selection on September 14, 2026, then continued to October 26, 2026 after both sides sought the transcript of White’s trial and the defense flagged an expert-witness scheduling conflict. A pretrial hearing was scheduled for October 6, and on September 25 Judge Anyiam issued strict courtroom media rules — one pool camera, no hallway interviews, with violations punishable by a $500 fine, six months in jail, or both. Beezy has pleaded not guilty and denies any involvement. His attorney, John F. Gussio III, has asked the court for limited work release, arguing the house-arrest terms are strangling the music career that pays for the defense.
The financial read-through: a capital murder defense bills at a level that can consume six figures before trial even starts, the $75,000-ish bond premium is gone regardless of outcome, and touring income has been zero since March 2025. Every published net-worth figure for Beezy predates the full weight of these costs — no tracker has revised its number since the arrest. That is why this article anchors at $2 million while flagging the direction of travel as down, not up, until the trial resolves.
Net Worth Growth Over the Years
Year-by-year net-worth tables for celebrities are usually fiction dressed as data. This one is different: it shows what public trackers actually published, and when — so you can see where the $2 million consensus comes from and which outliers to distrust.
| Period | Published estimate | Source & context |
|---|---|---|
| 2017 and earlier | No credible estimate | Pre-breakout; independent mixtape era. Any figure assigned to this period is invented. |
| 2018–2020 | ~$1–2 million (retrospective) | Peak commercial years: gold single, Hitco deal, On the Run II opening slot, major collaborations. Trackers converge here only in hindsight. |
| 2021–2023 | $600,000 | CelebsMoney — but note the page is roughly three years stale and was never updated for the streaming growth or the 2025 arrest. Treat as outdated. |
| March 2025 | $2 million | Celebrity Net Worth, cited in Sportskeeda’s reporting on the bond reduction — the most reputable single figure in the record. |
| 2025 | $2–3 million | KnowInsiders; consistent with the Celebrity Net Worth figure. |
| 2025 | $2–8 million | Finance Monthly and NewzCenter — wide, unsourced ranges; the top end has no evidentiary basis. |
| May 2026 | ~$2 million | Celebicity, the freshest tracker update found — published after the 2025 arrest, still holding $2 million. |
| October 2026 | $2 million (NetWorthCraft estimate) | Anchored to the Celebrity Net Worth / multi-outlet consensus; flagged as likely declining under 2025–26 legal costs. |
Two outliers deserve explicit debunking since they rank in search results. The $10 million figure on one biography site comes from a year-by-year table ($4M in 2022, $6M in 2023, $8.5M in 2024, $10M in 2025) with no sourcing, no methodology and numbers that contradict every other tracker — disregard it. The $600,000 CelebsMoney figure is real but fossilized, last meaningfully updated years before the catalog’s continued streaming accumulation. The honest range, weighting source quality, is $1.5–$2.5 million, anchored at $2 million.
Social Media Presence
For a rapper whose career was built on the internet’s distribution rather than radio’s, the social numbers are the business metrics. On Instagram, @yellabeezy214 holds about 2.04 million followers as of September 30, 2026 (per SPEAKRJ’s tracking, growing around 230 followers a day) — the account doubles as his lifestyle billboard, heavy on luxury cars, jewelry and designer clothes, and his direct line to fans during house arrest.
Spotify is where the money actually lives: 738,769 monthly listeners, 1.6 million followers and 536 million total streams across 241 tracks and 55 releases, per Music Metrics Vault’s October 2026 crawl. His top cities read like a map of his base — Dallas (34,340 listeners), Houston, Atlanta, San Antonio, Charlotte. TikTok adds a long tail: more than 300,000 posts use his tracks, and his top video has drawn hundreds of millions of views, per ticketing-industry profiles. YouTube runs through the classic hip-hop channels — WorldStarHipHop and HalfpintFilmz carried the early videos, and the “That’s On Me” video has roughly 189 million views.
The social footprint matters for the estimate in a specific way: it is the reason the catalog keeps earning. Three-quarters of a million monthly listeners generate royalty checks every month with no touring, no promotion and no new releases required. That annuity — modest per month, durable over years — is the floor under the $2 million figure.
Personal Life
Yella Beezy is not married. His long-term partner is D’Andrea Harris, who owns a salon and boutique business, and the couple share two sons: the elder, known to fans as Baby Yells, born in January 2018, and a younger son named Dallas, born in January 2021. Beezy posts about his children often, and fatherhood is the subject he returns to most in interviews — it was also the subject of his denied April 2025 court request, when he asked permission to attend his child’s football games under house arrest.
Beyond family, the personal record is mostly the legal record above, plus one episode that says something about fame in the streaming era. In 2020, intimate surveillance-style footage from inside his home leaked after his child’s mother accidentally posted it to her Instagram Story. Beezy told The Shade Room it was an honest mistake, pushed back on claims it was a stunt — and acknowledged his streams rose anyway. He keeps his romantic life otherwise out of the spotlight, and no verified information about siblings or extended family appears in reputable profiles.
Sources & Reporting
How this article was sourced. Every money figure, date and deal above traces to a named outlet or primary record. Reporting window: March 2025 – October 2026, with chart and certification data from primary music-industry records.
- Baller Alert — the October 2026 court-date reporting (jury selection moved to October 26, 2026; October 6 pretrial hearing; Judge Chika Anyiam), the March 2025 bond-reduction coverage ($2M → $750K, release conditions), and the 2021 arrest history (Collin County charges later dismissed). Used for the legal timeline and bond figures.
- AllHipHop — the $40,000 bank withdrawal cited by prosecutors, the Mo3 shooting details (November 11, 2020, I-35E), and Kewon White’s September 2026 conviction and life-without-parole sentence. Used for the prosecution’s financial-trail claims.
- The Source — September 2026 reporting on prosecutors’ use of the $40,000 withdrawal evidence during White’s trial and Beezy’s not-guilty plea and house-arrest status. Used to corroborate the financial-trail claims.
- Hot 97 — the September 2026 trial-delay report (continuance order, jury selection reset to October 26, 2026). Used for the current trial schedule.
- Sportskeeda — March 2025 reporting citing Celebrity Net Worth’s $2 million estimate alongside the bond-reduction news. Used as the anchor for the net-worth figure.
- Music Metrics Vault — current Spotify data (738,769 monthly listeners, 1.6 million followers, 536 million total streams, per-track stream counts, top cities), crawled October 2026. Used for all streaming figures.
- SPEAKRJ — Instagram tracking showing 2,039,808 followers as of September 30, 2026. Used for the social-media figures.
- MN2S — the booking agency’s career timeline (RIAA gold certifications, Hitco signing, Ain’t No Goin’ Bacc, On the Run II Tour, Asylum Records deal). Used for career milestones and certification history.
- Wikipedia — the “That’s On Me” entry: October 31, 2017 independent release, Billboard peaks (Hot 100 No. 56, R&B/Hip-Hop No. 25, 2018 year-end No. 82), RIAA gold certification, remix details. Used for chart and release data.
- TicketSmarter — concert market data (average ticket $98, cheap seats ~$67, VIP ~$374) and biographical details (Oak Cliff upbringing, first mixtape at 14). Used for touring economics.
- Popnable — modeled earnings estimates ($53,500 in 2025, $16,000 in 2026 year-to-date, $1.5M estimated career earnings). Used with explicit labeling as modeled, not audited.
- Court coverage via Baller Alert and HipHopHero, citing the Dallas County Clerk’s office, KERA News and Fox 4 News Dallas-Fort Worth — the continuance rationale (White trial transcript, expert-witness conflict), the September 25, 2026 courtroom media rules, and White’s post-sentencing denial of Beezy’s involvement. Used for the 2026 trial status. (Publication homepages not linked; cited via the outlets above per our no-guessed-URLs rule.)
What we could not verify: no reputable outlet documents a specific house or property purchase, a per-show performance fee, standalone business revenue, or national endorsement deals for Beezy — so none are counted in the estimate. His exact height is reported as both 5’9″ and 5’10”; his birth date as October 21 (majority) or October 22, 1991 (one agency bio).
Frequently Asked Questions
What is Yella Beezy’s net worth in 2026?
Yella Beezy’s net worth is estimated at $2 million as of October 2026. That figure comes from Celebrity Net Worth (cited in March 2025 reporting) and is corroborated by multiple 2025–26 outlets. Published trackers span $600,000 (a stale, years-old page) to $8 million (unsourced), but the credible cluster sits at $2–3 million. Note that no tracker has updated its figure since his March 2025 arrest, and ongoing legal costs for his capital murder trial are likely pulling the real number down.
What is Yella Beezy’s real name?
Yella Beezy’s real name is Markies Deandre Conway. He was born in Dallas, Texas, and performs under the Yella Beezy stage name he adopted as a teenager in the Oak Cliff neighborhood.
How old is Yella Beezy?
Yella Beezy was born on October 21, 1991, which makes him 34 years old — he turns 35 on October 21, 2026. One booking-agency biography lists October 22 instead, but the 21st is the date carried by the majority of published profiles.
Is Yella Beezy in jail right now?
No. Yella Beezy was arrested on March 20, 2025, on a capital murder-for-hire charge, but he posted a $750,000 bond (reduced from $2 million) and was released on March 28, 2025. He lives under house arrest with GPS ankle monitoring, his passport surrendered and travel restricted to Dallas and Denton Counties. He has pleaded not guilty, and jury selection for his trial is set for October 26, 2026.
What is Yella Beezy’s biggest song?
“That’s On Me,” released independently on October 31, 2017. It peaked at No. 56 on the Billboard Hot 100 and No. 25 on Hot R&B/Hip-Hop Songs, earned an RIAA gold certification (500,000 units), and has about 78.5 million Spotify streams. The 2018 official remix — with 2 Chainz, T.I., Rich the Kid, Jeezy, Boosie Badazz and Trapboy Freddy — added another 41.9 million streams and appears on his Ain’t No Goin’ Bacc mixtape.
What record label is Yella Beezy signed to?
His breakout earned him a deal with L.A. Reid’s Hitco Entertainment in 2018, and a new deal with Asylum Records was announced in 2019. He has since worked through Profit Music Group, and his 2025 singles “Blame It on Me” and “The 1” were released on his own FireMarshall Entertainment imprint — reflecting an increasingly independent setup.
Does Yella Beezy have a wife or kids?
He is not married. His long-term partner is D’Andrea Harris, who owns a salon and boutique business. They have two sons together: the elder, known as Baby Yells, born in January 2018, and a younger son named Dallas, born in January 2021.
What happened between Yella Beezy and Mo3?
The two Dallas rappers had a long-running rivalry that prosecutors say escalated for years through songs, social media and a 2020 physical altercation. On November 11, 2020, Mo3 (Melvin Noble) was shot dead in a brazen ambush on Interstate 35E in Dallas. In March 2025, a grand jury indicted Beezy on a capital murder-for-hire charge, alleging he paid Kewon White $40,000 to carry out the killing. White was convicted of capital murder in September 2026 and sentenced to life without parole — then publicly denied Beezy was involved. Beezy denies any role, has pleaded not guilty, and faces trial beginning with jury selection on October 26, 2026.
Final Thoughts
Yella Beezy’s $2 million estimated net worth is the ledger of a very specific kind of rap career: no major-label machine behind the breakout, one gold single that did the work of ten, a catalog that quietly crossed half a billion streams, and collaborations with artists who sell out arenas. It’s real money, earned the hard way from Oak Cliff club stages to a Billboard chart run.
But 2026 is the year the ledger gets audited by reality. The capital murder trial starting October 26 will decide more than his freedom — it will decide whether the fortune survives its own defense costs. House arrest has already zeroed out touring income, the bond premium is gone, and capital-case lawyers don’t work on contingency. The $2 million figure is the best-supported estimate in the public record, honestly arrived at and honestly caveated: it’s a snapshot of what the music built, taken while the courts decide what the future costs.
Published on 2026-10-09. Last reviewed October 2026. Found an error? See our corrections policy.